Citaat van: celicav8Eva Cassidy: "Time after time"Mooi album. Mijn vriendin is er helemaal verslaafd aan.
Citaat van: PM95 op augustus 13, 2006, 12:19:56Goh, waar ken je die toch van :? :-D
Kamelot ,The fourth legacy 8-)
(http://www.metal-observer.com/covers/cov079.jpg)
Citaat van: Maurice op augustus 13, 2006, 14:12:28:oops: het is welliswaar meer mijn genre dan die van jou maar toch fijn dat jij er mij op gewezen hebt :-DCitaat van: PM95 op augustus 13, 2006, 12:19:56Goh, waar ken je die toch van :? :-D
Kamelot ,The fourth legacy 8-)
(http://www.metal-observer.com/covers/cov079.jpg)
Citaat van: Pencil op augustus 21, 2006, 15:21:12sjit!! die heb ik niet :-o
Gisteren nog naar a tribute to SRV geluisterd.
Gave C.D. met bijdrages van B.B.King, Eric Clapton, Robert Cray, Buddy Guy, Dr. John, Art Neville, Bonnie Raitt en Jimmy Vaughn.
Citaat van: Marco op augustus 21, 2006, 18:41:11Toch niet bij die Wokschotel op de hoek?
We gaan nu even lekker chinees eten :-P
Citaat van: Maurice op augustus 21, 2006, 18:54:36nee dus,het was anders wel erg lekker :-DCitaat van: Marco op augustus 21, 2006, 18:41:11Toch niet bij die Wokschotel op de hoek?
We gaan nu even lekker chinees eten :-P
Citaat van: Marco op augustus 21, 2006, 19:05:23(http://www.mygamerfriends.com/images/forum/forum_offtopic.jpg)Citaat van: Maurice op augustus 21, 2006, 18:54:36nee dus,het was anders wel erg lekker :-DCitaat van: Marco op augustus 21, 2006, 18:41:11Toch niet bij die Wokschotel op de hoek?
We gaan nu even lekker chinees eten :-P
CiteerOne of the most significant pianists to emerge since the 1960s, Keith Jarrett's career has gone through several phases. He gained international fame for his solo concerts, which found him spontaneously improvising all of the music without any prior planning; but he has also led a couple of dynamic quartets/quintets, performed classical music, and later played explorative versions of standards with his longtime trio. Although his tendency to "sing along" with his piano now and then is distracting, Jarrett continued to grow as a powerful improviser after decades of important accomplishments.
Keith Jarrett started on the piano when he was three, and by the time he was seven he had already played a recital. A child prodigy, Jarrett was a professional while still in grade school. In 1962, he studied at Berklee, and then started working in the Boston area with his trio. He moved to New York in 1965, and spent four months with Art Blakey's Jazz Messengers...
Citaat van: Stadium III op september 17, 2006, 20:00:49Ik vond dat echt een bijzonder goede film!
heb net Tom Cruise gezien in The Last Samurai
(http://www.filmposters.it/imgposter/piccole/ultimosamurai.jpg)
Citaat van: Marco op september 18, 2006, 01:14:52Citaat van: Stadium III op september 17, 2006, 20:00:49Ik vond dat echt een bijzonder goede film!
heb net Tom Cruise gezien in The Last Samurai
(http://www.filmposters.it/imgposter/piccole/ultimosamurai.jpg)
Citaat van: Stadium III op september 18, 2006, 17:03:27Dat is goed klote ! :-oCitaat van: Marco op september 18, 2006, 01:14:52Citaat van: Stadium III op september 17, 2006, 20:00:49Ik vond dat echt een bijzonder goede film!
heb net Tom Cruise gezien in The Last Samurai
(http://www.filmposters.it/imgposter/piccole/ultimosamurai.jpg)
Dat ben ik zekier met je eens
Het is alleen wel vleeswaren dat ik tegen een ingebrand rtl 4 logo zit aan te hikken met mn 1 maand oude plasma !!!! :x
stadium III
CiteerAt first glance, a Finnish heavy metal band named Wintersun, whose album cover shows a fallen warrior lying face down in the snow, might elicit thoughts of simplistic black metal infused with pagan or anti-Christian messages, but it doesn't take long for this eponymous debut to prove that first impressions can be deceiving. In fact, the new project of former Ensiferum and Arthemesia vocalist and multi-instrumentalist Jari M?enp?a merges the hyper-fast precision of Yngwie Malmsteen-like guitar playing (witness the speedy "Beyond the Dark Sun") with the melodic sensibilities of post-Helloween power metal (see the more diverse "Winter Madness") and a homegrown passion for folk-styled songwriting descended straight from trailblazing compatriots Amorphis. If there is any sign of black metal songwriting to be found here, it's in the majestic symphonic backdrops draped all over the ever more ambitious offerings that follow: "Sleeping Stars" flirts with doom via its slow-creeping riffs, "Death and the Healing" alternates clean and rough vocals with a jaw-dropping display of pyrotechnic guitar heroics, and "Beautiful Death" comprises a stunning (if quite morbid) black metal tour de force in terms of both words and musical attack. Curiously, each subsequent track runs longer than the last here -- as if Wintersun is consciously using the song lengths themselves as means of upping the compositional ante. And when they arrive at the ten-minute colossus "Sadness and Hate," which brings the album to a final, fittingly progressive close, one realizes that, amazingly, the ploy works! Therefore, although these unexpected twists and turns can't stop their formula from becoming predictable at times, Wintersun's superb musicianship (props to drum machine man Kai Hahto, as well) helps them win out against their evident influences in the end, making this a recommended release for lovers of relatively accessible extreme metal.
Citaat van: Marco op september 19, 2006, 22:22:55Ach, het zou niet de eerste keer zijn dat je nieuwe muziek via mij leert kennen in jouw favo genre! birdman
Hee die ken ik niet redface
Citaat van: Stadium III op november 06, 2006, 19:32:36Hier hetzelfde.... nopompom
ik luisterde net 1 min geleden naar rtl fm die vriendin lief net afzet :x
maar goed morgen weer een dag :lol:
Citaat van: Stadium III op februari 28, 2007, 18:47:40luistert me vader ook altijd, best goede muziek vindt ik
Deep purple !
Stadium III
Citaat van: Bassie op maart 13, 2007, 14:33:46Hmmm, blijkbaar staat censor words aan :mrgreen:
:? :? :? Wazig. F.ck word automatisch gewijzigd in ham. Het zal ongetwijfeld een doel hebben.
Bas
Citaat van: Stadium III op maart 13, 2007, 19:59:13Amused to death :-o
roger waters !
Stadium III
Ticking away the moments that make up a dull day You fritter and waste the hours in an affhand way |
Citaat van: Maurice op maart 13, 2007, 22:04:00Citaat van: Stadium III op maart 13, 2007, 19:59:13Amused to death :-o
roger waters !
Stadium III
Citaat van: Stadium III op maart 22, 2007, 07:38:43Naar mijn vriendin die aan de telefoon met een vriendin aan het kleppen is HLP
We kijken nu naar het rtl nieuws voordat ik ga werken !
Stadium III
Citaat van: KoyBoy (Arnoud) op april 26, 2007, 22:25:03
Red Hot Chili Peppers
Greatest Hits en dan vooral :Soul to squeeze,Road Trippin en Scar Tissue..
Heerlijk om bij weg te dromen.......
Citaat van: Stadium III op april 27, 2007, 07:35:02Das niet best...
Momenteel RTL nieuws
Citaat van: Stadium III op april 28, 2007, 09:40:30
mm cd speler niet kapot maar iets over half 8 zal ik de flat maar niet wakker gaan maken he nonono
Citaat van: KoyBoy (Arnoud) op april 28, 2007, 23:58:06Dan heb jij zijn muziek nog niet gehoord nononoCitaat van: Stadium III op april 28, 2007, 09:40:30
mm cd speler niet kapot maar iets over half 8 zal ik de flat maar niet wakker gaan maken he nonono
Worden ze wel met kwaliteit wakker!!!!! :-D :-D
En niet met zo'n irritante bliep bliep bliep geluid......
Dus knallen met die hap
Citaat van: Paul op mei 06, 2007, 20:30:25
Het commentaar van AZ - Ajax op 10
Citaat van: KoyBoy (Arnoud) op mei 06, 2007, 20:41:50en ik ookCitaat van: Paul op mei 06, 2007, 20:30:25
Het commentaar van AZ - Ajax op 10
Me to!!!
Citaat van: Stadium III op mei 06, 2007, 21:08:03dat wort wel 10 uur geloof ik nonono
ik ook
zometeen hopelijk voetbalvrouwen
CiteerFor his first studio recording with his colorful big band, Don Ellis utilized five trumpets, three trombones, five reeds, Mike Lang on keyboards, three bassists, drummer Steve Bohannon, and three percussionists to perform some remarkable new music. The most memorable selection is "Indian Lady" (accurately described as a "hoedown in 5/4"), which with its false endings is often quite humorous. The other four originals (the trumpeter-leader's feature on "Alone," "Turkish Bath," "Open Beauty," and the 17/4 "New Horizons"), while lesser-known, are also quite spirited. For the first time Ellis opened his band to the influence of rock (making liberal use of electronics) and the results lend themselves to some hilarity.
Citaat van: Paul op mei 28, 2007, 21:54:26Welke heb je aangeschaft?
Behalve ik.........heb nu wel een cd van Particia Barber aangeschaft.......wat een shoutout al niet kan doen.
Citaat van: Paul op mei 28, 2007, 21:59:20Zeker ook een lekkere cd van haar. Ken haar eigenlijk van een MP3 van deze cd die ik gedownload had, namelijk Let it rain. vervolgens maar de nodige andere cd's gekocht, moet echter nog wel de collectie compleet maken.
Is al een oudere cd van haar, Companion.
Citaat van: Paul op mei 28, 2007, 22:07:19Welke cd?
Ben afgelopen zaterdag weer wezen kijken maar is haast in geen enkle cd zaak te koop.
Bij Free record shop stonden ze te kijken of het een nwe ziekte was.
Had deze via internet besteld.
Citaat van: Paul op mei 28, 2007, 22:27:46Patricia Barber hebben ze bij Kroesse in Arnhem redelijk liggen (over het algemeen). Ze kunnen zowiezo alles bestellen. Indien gewenst kan ik ze wel voor je halen en versturen. PM maar indien je wanhopig wordt :-D
Wil net als jouw de collectie compleet hebben dus keuze zat, maar helemaal niks net als 4hero is ook zwaar onderkend.
Citaat van: Paul op mei 31, 2007, 23:26:17Dit is juist een album die ik nog niet heb nopompom
Patricia Barber - A Distortion of Love
Nwe release oorspronkelijke release is 1992.
Denk bij Maurice wel bekend.
CiteerSomehow, leading Norway's Tristania to the top of the goth metal heap wasn't enough for vocalist/guitarist Morten Veland, who unilaterally seceded from the union in the year 2000 to found a brand-spanking-new though similar-sounding band named Sirenia. Picking up pretty much where he'd left off stylistically, Veland hand-picked compatriots Kristian Gundersen (clean vocals, guitar), Hans Henrik Varland (keyboards), and French singer Fabienne Gondamin to quickly perform on the following year's At Sixes and Sevens debut. He and Gundersen then found a more permanent support staff in vocalist Henriette Bordvik and drummer Jonathan Perez to work on their 2003 follow-up, An Elixir for Existence. An EP, Sirenian Shores arrived in 2005, followed by the full-length Nine Destinies and a Downfall in 2007.
Citaat van: Marco op oktober 24, 2005, 02:23:28
Arena,
The hanging tree.
Mooie symfo rock die een mooie opbouw heeft a la Pink Floyd 8) ,met zangwerk die mij aan Fish doet denken.
Het kan haast ook niet anders aangezien de groep het geestekind is van ex Marrilion drummer Nick pointer en toetsenmanClive Nolan.
Dit is een waar muziekaal hoogtepunt!
Citaat van: Stadium III op juni 03, 2007, 18:47:04
Roger waters
The wall live op DVD
Stadium III
Citaat van: erwin op juni 03, 2007, 20:13:12
vet,ik heb hem zelf ook.Citaat van: Stadium III op juni 03, 2007, 18:47:04
Roger waters
The wall live op DVD
Stadium III
Citaat van: erwin op juni 03, 2007, 20:13:12
vet,ik heb hem zelf ook.Citaat van: Stadium III op juni 03, 2007, 18:47:04
Roger waters
The wall live op DVD
Stadium III
CiteerReview by Alex Henderson
Unapologetically frightening, N.W.A's Straight Outta Compton is one of the most seminal albums in the history of rap and greatly influenced countless gangsta rappers. N.W.A didn't invent gangsta rap -- Ice-T and Schoolly D had already embraced first-person narratives focusing on the harsh realities of ghetto life -- but the L.A. group made it even more violent. Portraying gang members and other felons, Dr. Dre, Ice Cube, MC Ren and Eazy-E took listeners on an arresting journey through L.A.'s tough Compton ghetto. Critics of this highly controversial album contended that N.W.A was glamorizing Black-on-Black crime -- the rappers countered that they weren't encouraging violence, but rather were presenting an audio documentary of life as they knew it growing up in Compton. Subsequently, gangsta rap would be plagued by numerous soundalike MCs who lacked even a fraction of N.W.A or Ice-T's originality. But in the innovative hands of N.W.A., it was bold, inspired and arresting. [Straight Outta Compton was released in an edited version with all of the profanity removed, and instead changed around so that the album became a parody of edited albums by using hilariously silly replacements for swears and graphic descriptions.]
Citaat van: Stadium III op juni 14, 2007, 21:10:33
Dvd van madonna !
Stadium III
Citaat van: HKu op juni 24, 2007, 23:16:55
Tommy - The Who (en in de verte de Red Hot Chili Peppers leif in the Goffert)
CiteerBiography by Gary Hill
Michael Romeo formed Symphony X in New Jersey in 1994. The original lineup of the group also included Thomas Miller (bass guitar), Rod Tyler (vocals), Jason Rullo (drums), and Michael Pinnella (keyboards). They released their self-titled debut late that same year. The next year they put out the follow-up The Damnation Game. 1995 also saw Tyler leave the group, his replacement coming in the personage of Russell Allen. Their next release came out in 1997. It was the critically acclaimed The Divine Wings of Tragedy. In addition to the critical praise, this disc became the group's biggest commercial success yet. Before recording their next album, Jason Rullo left the band. He was replaced by Thomas Walling. With this lineup, the group released Twilight in Olympus. This release garnered both greater critical kudos and greater sales. In a unique turn of events, however, the band faced a new lineup change. Newcomer Walling and bassman Thomas Miller both decided that they were not up to touring for the album. The recently departed Rullo rethought his exodus and came back into the Symphony X fold. Andy DeLuca was brought in on bass for the duration of the tour. After the tour was over, the group found a permanent replacement in Mike LePond. This formation of the group released their fifth album in 2000 with V: The New Mythology Suite.
Citaat van: Stadium III op september 08, 2007, 08:40:58dat is minder nopompom
Zo smorgens vroeg luister ik naar het gejammer van de kleine :x
Citaat van: Stadium III op september 08, 2007, 08:40:58
Zo smorgens vroeg luister ik naar het gejammer van de kleine :x
Citaat van: Stadium III op september 08, 2007, 11:35:03rustig aan beginnen :-) :-D
al meteen thx gecertificeerd geven of is dat TE byebye
CiteerBiography by Steve Huey
Following in the footsteps of the Gathering and Lacuna Coil (goth-influenced "symphonic" metal bands with female vocalists), Nightwish was formed in Kitee, Finland, in 1997 by keyboardist Tuomas Holopainen. Initially attempting to create acoustic music, he recruited trained opera vocalist Tarja Turunen, but soon added full metal-band instrumentation in the persons of guitarist Emppo Vuorinen, bassist Sami Vänskä, and drummer Jukka Nevalainen. The band's demos landed them a contract with the Finnish label Spinefarm, which released their debut album Angels Fall First in late 1997 (it appeared in the rest of Europe the following year). The follow-up, Oceanborn, appeared in late 1998 and made Nightwish a bonafide mainstream success in their homeland; the album reached the Finnish Top Five and spun off three Top Ten singles. The band toured Europe heavily, consolidating their success, and in 2000 recorded their third album Wishmaster. Not only did it top the Finnish charts, but it also became the group's first album to be released in the U.S. (by Century Media, which reissued their previous albums in 2001 as well).
Citaat van: Stadium III op oktober 03, 2007, 19:59:02ahh good notworthy
BB-King :-D
Citaat van: Stadium III op oktober 11, 2007, 21:05:25heb ik ook maar die happert heel irritant, zal er wel aan liggen dat het een slechte copie is frusty
net spiderman 3 gezien op dvd
zeer vette film !
Citaat van: thom op oktober 11, 2007, 21:07:32
heb ik ook maar die happert heel irritant, zal er wel aan liggen dat het een slechte copie is frusty
CiteerAyreon is the brainchild of multi-instrumentalist Arjen Anthony Lucassen as this 2000 release represents Part I of the separately issued, two-part science fiction-based Universal Migrator CDs. Musically, The Dream Sequencer signifies tranquillity and serenity in conjunction with the "last of the Mars Colonists" who have depleted their resources thanks to a catastrophic, albeit futuristic war. And besides the rather far-flung yet pleasingly affable concept, the crystalline recording in concert with the musicians' often dazzling and altogether sympathetic interplay equates to a thoroughly enterprising affair that sustains interest. Lucassen enlists a multinational cast of vocalists and musicians for an exposition that at times elicits fond memories of early-'70s Pink Floyd-style dream-laden vistas. However, the band does indeed perform with a late-'90s edge, while also maintaining a consistently identifiable sound and style as many of these textural soundscapes are enhanced by sweet-tempered vocals, layered synths, and seductive melodies that skirt the fringes of ambient electronica and classic progressive rock. Whereas, Lucassen excels as an accomplished guitarist and colorist who chooses his notes wisely yet is equally adept at seizing the moment by way of bone-crushing leads and concisely executed chord progressions. The Dream Sequencer is brimming with climactic overtures, enticing vocal harmonies, and memorably melodic themes. Basically, Lucassen's strong compositions and alluring arrangements strike an engaging chord as the music and overall production hearken back to the glory days of defiantly inventive progressive rock. Highly recommended.
CiteerFlight of the Migrator represents the second of the separately issued, two-part science fiction-based Universal Migrator CDs. Once again, multi-instrumentalist Arjen Anthony Lucassen employs a multinational aggregation of vocalists and keyboardists to supplement his existential visions. And while the excellent Part I: The Dream Sequencer is primarily an ambient/electronic progressive rock-based outing, Part II of this series figuratively takes the willing listener back to the beginning of time, as the hard-edged prog/metallic stylizations parallel a stewing universe, i.e., "The Big Bang." Throughout this affair, the music contrasts the expertly crafted dreamscapes witnessed on Part I as the musicians expound upon rapid unison choruses, shifty time signatures, and synth-led themes. The piece titled "Journey on the Waves of Time" boasts a memorably melodic hook thanks to Erik Norlander's meaty analog synthesizers as the overall vibe might rekindle notions of a typical Emerson, Lake & Palmer motif, although Ralf Scheepers icy, high-pitched vocals detract from the melodious effect. The band also utilizes strings and electro-acoustic interludes to counterbalance some of the high-impact proceedings amid Lucassen's penetrating and often blistering lines performed on electric guitar. Overall, Flight of the Migrator is a noteworthy release for the year 2000 yet some of these pieces are slightly amorphous in scope and fail to sustain any lasting degree of interest. However, Lucassen's applied concepts and compositional acumen fare much better on the highly recommended The Dream Sequencer.
Citaat van: Maurice op november 19, 2007, 21:41:30
Even vergeten dat het hier ook al weer om muziek gaat!
Nu:
Ayreon ~ Universal Migrator
The dream sequencer
(http://image.allmusic.com/00/amg/cov200/dre200/e234/e234841mkr7.jpg)
En:
Flight of the universal Migrator
(http://image.allmusic.com/00/amg/cov200/drf800/f840/f84021ffm3a.jpg)
Citaat van: Marco op juni 09, 2007, 00:11:01
Dreamtheater Systematic chaos HB
Morgen bekijk ik de dvd,ik heb namelijk de special edition pompom
(http://cover6.cduniverse.com/CDUCoverArt/Music/Large/7434310.jpg)
Citaat van: mars op november 23, 2007, 13:03:16Marco kan je ook wel wat laten horen hoor ;)
oi maurice
heb ik nog nooit gehoord ( denk ik) maar mijn vaste platenboer zegt dat IK dat Aryeon top ga vinden, hahaha oke dan zal ik hem maar geloven!
grtz mars
Citaat van: Maurice op november 23, 2007, 23:33:25
Marco kan je ook wel wat laten horen hoor ;)
Hij heeft er diverse cd's van.
Citaat van: Stadium III op november 24, 2007, 17:27:13
We hebben nu Sting opstaan
Citaat van: Paul op november 23, 2007, 21:15:33
Marco, ik ken deze muziek niet.
Heb bij onze vriend Ken op de Vad show 1 nummer mogen beluisteren en was wel onder de indruk.
Ga me er toch een keer in verdiepen.
Citaat van: mars op november 24, 2007, 18:02:43
ja moet je doen , ik vindt in ieder geval helemaal te gek .
grtzzzzzzzzmars
Citaat van: Paul op november 24, 2007, 18:25:01
Ga me helemaal aan jullie vasthouden.
Citaat van: mars op november 24, 2007, 18:39:42
nouuuuuu , dat zou ik dan weer niet doen :wink: hahaha geintje
grtz mars
ps; ik ben wel van de nieuwe muziekjes hoor , mijn smaak is eigenlijk te omschrijven als ; van het jaar 1700 t/m de muziek van morgen. Tja wel breed eigenlijk
Citaat van: Paul op november 24, 2007, 18:44:53
ff offtopic, moet ook nog steeds een keer langs Marco en dan mogen wat mij betreft alle cd,s de kast uit.
Heb ik ook weer wat te melden op ons marantzhyves.
Citaat van: mars op november 24, 2007, 18:48:51
:-D ja toch , maar zal ik je wat vertellen :? ik weet niet eens hoe dat gehyve werkt nopompom
hahaha ik ben namelijk pas toegetreden in het computertijd perk :wink:
grtz mars
CiteerBiography by Bret Adams
Legendary Deep Purple and Rainbow guitarist Ritchie Blackmore (b. April 14, 1945, Weston-super-Mare, England) shifted his musical focus away from hard rock in the late 1990s and started concentrating on his love of Renaissance-era music. He formed Blackmore's Night with his fiancee, vocalist/lyricist Candice Night (b. May 8, 1971, Hauppauge, Long Island, NY), and recruited other musicians from around the world to combine elements of world music, Renaissance, new age, folk, and rock & roll. Blackmore didn't exactly retire his Fender Stratocaster, but he plays acoustic guitar almost exclusively in Blackmore's Night. His acoustic guitar melodies and Night's clear, ethereal voice blend with a host of instruments such as mandolins, keyboards, pennywhistles, violins, tambourines, military drums, and hurdy-gurdies. Blackmore once described the band's sound as "Mike Oldfield meets Enya." Blackmore and Night met in about 1989 when Deep Purple played soccer against employees of a Long Island radio station where she worked. Night, a former model, studied communications at the New York Institute of Technology and had her own radio show. Blackmore and Night discovered they shared a love of Renaissance culture and quickly became a couple. The formation of Blackmore's Night is tied to the efforts of his previous two bands. Blackmore left Deep Purple -- again -- after 1993's musically disappointing The Battle Rages On... album. Blackmore then revived Rainbow -- technically under the original Ritchie Blackmore's Rainbow moniker -- with largely unknown musicians for 1995's Stranger in Us All, and Night contributed lyrics for four songs. Blackmore didn't really want to call it a Rainbow project, but record company executives insisted the name recognition would make it easier to market the album. After Stranger in Us All, Blackmore decided to actually record Renaissance-inspired music. He'd loved the style for years, but he never really played it himself. Once he began playing the music at home, Night would casually start singing along. This innocent, informal practice germinated into Blackmore's Night. The debut album, Shadow of the Moon, was released domestically in 1998. Jethro Tull's Ian Anderson contributes flute on "Play Minstrel Play." Under a Violet Moon followed in 1999, and since a full tour was planned Blackmore consciously wrote more upbeat, stage-friendly music.
Citaat van: Stadium III op december 01, 2007, 11:03:06
(http://www.oldiesbackonstage.nl/arrowrock.jpg)
Altijd leuk !
CiteerReview by Thom Jurek
Now here's a weird one: Queensrÿche's covers album. Given their long run, and the rock & roll tradition the band's members have come from and indulged in as individual listeners, it shouldn't perhaps be a surprise that they'd be interested in everything from Pink Floyd to Crosby, Stills, Nash & Young, Queen, Black Sabbath, Gamble & Huff, the Police, U2, and Peter Gabriel (oh yeah, and the score of Jesus Christ Superstar). Appalled or intrigued yet? Both? Yeah. For fans of this mighty, conceptual prog metal unit, there is nothing to fear. The renaissance that Queensrÿche underwent when founding guitarist Chris DeGarmo left the band has been nothing short of astonishing. From Tribe to Operation: Mindcrime II to this, the results have been for the most part tremendously satisfying. The live records, which are really live, attest to that. While the opening version of Pink Floyd's "Welcome to the Machine" draws very natural comparisons to the paranoia and fear on the Mindcrime series, it does not prepare listeners for the reinvention of the Tim Rice-Andrew Lloyd Webber penned "Heaven on Their Minds," from J.C. Superstar, sung from the point of view of Judas Iscariot. Queensrÿche turn this baby into a first-rate metal tune, using its melody but changing its dynamic range and creating a tension that is both heavy and almost unbearably emotional at the same time (and vocalist Geoff Tate should be considered for the role when another touring production of the hard rock musical is assembled: he sings his ass off). The same goes for the C,S,N&Y covers "Almost Cut My Hair" and Stills' "For What It's Worth," as done by his preceding band with Young, the Buffalo Springfield.
These are paranoid, overtly political songs, as were their originals, and the edge of paranoia coming from the twin guitars of Michael Wilton and Mike Stone push the former from being simply a rocker into an overdriven, riff-propelled jam. The latter doesn't work quite as well, but it's pleasant enough, even though the new twists on the melody sound forced. "For the Love of Money" transforms itself quite naturally from a funky, in the pocket groover to a tough metal tune. Ed Bass is having a ball with that riff, which is the root of the whole tune. There's no stretch involved with the Q-rÿche playing Queen's "Innuendo," or Black Sabbath's "Neon Nights"; these guys grew up with these tunes and have probably envisioned themselves recording them forever. These are solid, killer moments in the middle of the disc. While "Synchronicity II" rocks harder than the Police could have ever dreamed, Peter Gabriel's "Red Rain" feels strained because Tate is using inflections in his vocal that are not natural. That said, the bass in this tune is monstrously great. The set ends with U2's "Bullet the Blue Sky," done live. Over ten minutes long with plenty of feedback and bass throb, it's the best thing here. Not because it's a U2 cut, but because of what Queensrÿche do with it. They shift the rhythms, melody, and dramatic parts all around, turning it into a song in their own image. U2 should never play it again because this one is the jam. The guitar and bass lock in this thing is amazing. Nine winners, one loser, and one so-so track make this a covers record that has plenty of fire, plenty of innovation progressive moments, and some genuine inspiration. All of this said, now it's time for Queensrÿche to get back in the studio proper and write some new material and do a proper album of their own.
Citaat van: Paul op december 09, 2007, 20:52:24
De Top 1000 allertijden op Veronica.
CiteerThat Verdi's Messa da Requiem should be infused with the dramatic power of the his operas is no surprise. The text of the requiem is the most dramatic Verdi ever set, allowing him to explore his new ability to compose large sections of music on a "symphonic" scale with powerful passages for chorus and orchestra.
As much as Verdi lamented the death of Gioachino Rossini (1792-1868), he was more moved by the death of novelist Alessandro Manzoni in 1873. When Rossini died, Verdi felt that only Manzoni remained of Italy's great tradition. After Manzoni died, Verdi wrote to Contessa Maffei, "Now all is over! And with him ends...the greatest of our glories." When Verdi and Manzoni met in 1848, Verdi described the experience as one of being in the presence "of a saint." It was for Manzoni that Verdi composed his requiem.
From the very beginning, Verdi's Requiem was intended for the concert hall, not the church. This gave the composer some freedom when setting the text, although he remained much more faithful to the standard liturgy than did Berlioz in his setting. Verdi's Requiem was first performed on May 22, 1874, in Milan, on the first anniversary of Manzoni's death.
Verdi conveys the solemnity of the Requiem Mass through the opening cello line, a muted, descending phrase. The orchestra has the thematic material in the first part of the Introit, "Requiem aeternam," as the chorus sings the text in snatches. To balance this, the central part of the movement, "Te decet hymnus," is for unaccompanied chorus. After the return of the "Requiem aeternam" the Kyrie begins, introducing the soloists.
The "Dies irae," opening the Sequence, is the most famous part of Verdi's Requiem. Brass and bass drum make their first appearance in this tumultuous outburst depicting the "day of wrath." Distant trumpets sound and are joined by the rest of the brass before the "Tuba mirum." Quietly, the solo bass begins the "Mors stupebit" (Death is struck), accompanied by pizzicato basses and bass drum. After the solo mezzo-soprano delivers the "liber scriptus proferetur," the chorus bursts in with a reprise of the "Dies irae," an event dictated by musical considerations that has nothing to do with the requiem mass text. For the "Lacrimosa," Verdi extended and rewrote a duet for Don Carlos and King Philip he had cut from Don Carlos before its premiere. Like Cherubini, Verdi unites the Sanctus and Benedictus.
Verdi composed the concluding "Libera me," for soprano, chorus, and orchestra in 1868-1869 as his part of a collaborative requiem for Rossini, the remaining sections of which were to be set by other Italian composers. The project came to nothing, but Verdi kept his "Libera me" and eagerly seized the opportunity to use it as part of a complete requiem. After the solo soprano begins the movement, the chorus again intercedes with the "Dies irae," which is followed by a beautiful reprise of the "Requiem aeternam" and a closing, fugal setting of the "Libera me."
CiteerReview by Steve Huey
The companion piece to Conversations (recorded at the same mid-1963 sessions with producer Alan Douglas), Iron Man is every bit as essential and strikes a more consistent ambience than its widely varied twin. It also more clearly anticipates the detailed, abstract sound paintings of Dolphy's masterwork Out to Lunch, in large part because this time around the program is weighted toward Dolphy originals. "Iron Man," "Burning Spear," and the shorter "Mandrake" all have pretty outside themes, full of Dolphy's trademark wide interval leaps and playful sense of dissonance. Yet there's enough structure and swing to make their roots in hard bop perfectly clear, and once the front-line horns blast out the themes, the ensemble shifts into a more cerebral, exploratory mode. In the absence of a piano, Bobby Hutcherson's vibes are a crucial anchor, outlining dissonant harmonies that hang in the air almost spectrally behind the rest of the group. Most of the same musicians from Conversations appear here, including trumpeter Woody Shaw, flutist Prince Lasha, altoist Sonny Simmons, and soprano sax player Clifford Jordan. And once again, Dolphy duets with bassist Richard Davis, twice this time -- on bass clarinet for Ellington's "Come Sunday" and on flute for Jaki Byard's "Ode to C.P." Both are lovely, meditative pieces filled with conversational exchanges between the two players, illustrating what similar wavelengths they were on. Between Conversations and Iron Man, split up the way they are, one has to give a slight edge to the latter for its more cohesive presentation, yet these are classic sessions in any form and constitute some of the most brilliant work of the early-'60s avant-garde.
Citaat van: vielzweck op januari 22, 2008, 10:55:07
billy holliday 'keeps raining all the time'
radio 6
Citaat van: Paul op januari 22, 2008, 11:04:40
Hier is het gelukkig droog met een zonnetje. clown1
Citaat van: audiof. zonder budget op januari 22, 2008, 08:10:29
Ben de werkzame dag begonnen met de Rolling Stones...Rewind ( soort van jeugdsentiment die me altijd veel energy geeft... Yeah Baby !!!! )
CiteerBiography by Steve Huey
The progressive metal outfit Ayreon is essentially just Dutch multi-instrumentalist and songwriter Arjen Anthony Lucassen (formerly of the more mainstream metal band Vengeance), plus a revolving-door cast of collaborators and guest musicians that changes from project to project. Ayreon albums are usually large-scale concept epics and sometimes rock operas, in the latter case featuring a different vocalist for each character. Lucassen formed Ayreon in 1994 and released its first album, The Final Experiment, the following year. The more ethereal Actual Fantasy followed in 1996, and from there Ayreon only got more elaborate. 1998's Into the Electric Castle was a campy, sci-fi concept work spanning two discs and featuring guests like ex-Marillion singer Fish and the Gathering's Anneke van Giersbergen. Next up was Universal Migrator, another double-disc set whose volumes were issued separately under the subtitles Part I: The Dream Sequencer and Part II: Flight of the Migrator. These featured even more guest appearances, most notably Tiamat's Johan Edlund and Iron Maiden's Bruce Dickinson, plus current and former members of Gamma Ray, Primal Fear, Helloween, Stratovarius, and Symphony X; musicians included Rocket Scientist's Erik Norlander and ex-Gorefest drummer Ed Warby.
CiteerVocalists
Arjen Lucassen
Devin Townsend
Devon Graves
Eric Clayton
Heather Findlay
James LaBrie
Irene Jansen
Magnus Ekwall
Marcela Bovio
Mikael Åkerfeldt
Mike Baker
Instrumentalists
Arjen Lucassen
Ed Warby
John McManus
Jeroen Goossens
Joost van den Broek
Ken Hensley
Martin Orford
Oliver Wakeman
Robert Baba
CiteerStory
A man has a car accident and ends up in hospital in a comatose state. The car accident was very bizarre: it was broad daylight and there was no other car in sight. His wife and his best friend are keeping a vigil at his bed, trying to understand what happened, hoping he will wake soon.
Cut off from the outside world, the man finds himself trapped in a strange realm where his emotions- most of which he's ignored for a long time- have come to life to confront him with all the choices he has made in his life.
As he is taken from one memory to the next, he slowly becomes aware of all the events leading up to his accident, and realizes that if he ever wants to wake up from his coma, he must find a way out of his prison...
Citaat van: vielzweck op januari 25, 2008, 17:31:26
(Golden Earring
Citaat van: MadVillain op januari 30, 2008, 00:15:43
Ginger Baker Trio - Falling of the roof. En daarvoor Charlie Haden - Nocturnal ... lekkere jazz
Citaat van: Patrick op maart 04, 2008, 10:22:11:schater: :schater: :schater: notworthy
Hallo . . ik zie hier wat kenners op het gebied van muziek
Men neemt de muziek zeer natuurgetrouw op en men gebruikt afwijkende opnametechnieken.
" ik luister ook altijd naar me moeder en naar me vader, behalve naar me afwijkende broer . ."
Forcione is een gitarist die een aantal smaakvolle technieken beheerst die zijn spel kenmerken.
" Al Capone had ook zeer smaakvolle technieken, en beheerste zijn Tommy Gun ook goed!"
Ginger Baker Trio - Falling of the roof
"Heb toch liever George Baker, toen ie nog gewoon op zijn ship zat"
Van de toenmalige vprogids: het werk volgt de opbouw van het requiem wordt in het latijn gezongen door 6 operasolisten en 3 solisten van het le mystère de voix bulgares.
"Van mijn Hitkrant: Opbouw van de Piramide's werd gedaan door de latijnen, die met hun zijspan en hun solexen van Le Mystere naar Voix Bulgares reden, dit wel te verstaan vol met stenen en rotsen op de nek en in hun zijspan
stupid clown1
Groetjes
CiteerReview by Steve Huey
Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy originals -- the jarring Monk tribute "Hat and Beard," the aptly titled "Something Sweet, Something Tender," the weirdly jaunty flute showcase "Gazzelloni," the militaristic title track, the drunken lurch of "Straight Up and Down" -- were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. Much has been written about Dolphy's odd time signatures, wide-interval leaps, and flirtations with atonality. And those preoccupations reach their peak on Out to Lunch, which is less rooted in bop tradition than anything Dolphy had ever done. But that sort of analytical description simply doesn't do justice to the utterly alien effect of the album's jagged soundscapes. Dolphy uses those pet devices for their evocative power and unnerving hints of dementia, not some abstract intellectual exercise. His solos and themes aren't just angular and dissonant -- they're hugely so, with a definite playfulness that becomes more apparent with every listen. The whole ensemble -- trumpeter Freddie Hubbard, vibist Bobby Hutcherson, bassist Richard Davis, and drummer Tony Williams -- takes full advantage of the freedom Dolphy offers, but special mention has to be made of Hutcherson, who has fully perfected his pianoless accompaniment technique. His creepy, floating chords and quick stabs of dissonance anchor the album's texture, and he punctuates the soloists' lines at the least expected times, suggesting completely different pulses. Meanwhile, Dolphy's stuttering vocal-like effects and oddly placed pauses often make his bass clarinet lines sound like they're tripping over themselves. Just as the title Out to Lunch suggests, this is music that sounds like nothing so much as a mad gleam in its creator's eyes.
Citaat van: mars op maart 24, 2008, 10:13:48Ik heb meerdere albums van hem, vind denk ik Out there het beste album. Deze heb ik echter alleen op lp.
oi stupid
kicke he notworthy , heb hem zelf niet maar , wel gehoord bij iemand met een nou............. laten maar zeggen waanzinnige set
grtz mars
Citeer
Review by Greg Prato
Few bands in the history of rock have warranted the "either you love them or hate them" tag as much as Dream Theater, as fanatics consider them musical geniuses, while detractors sneer at their bombast. Either way, there's no arguing that the group has built a large and loyal following over the years by doing things their way, and with little to no help from radio or MTV. And on their tenth full-length overall (and first for their new label, Roadrunner), 2007's Systematic Chaos, the quintet sticks to the prog metal game plan that they've followed since their inception. In true Dream Theater fashion, the gentlemen are not ashamed to show off their chops -- as evidenced by the album opener, "In the Presence of Enemies, Pt. 1," in which James LaBrie's vocals do not kick in until after the five-minute mark. Elsewhere, "Forsaken" proves wrong those who say that Dream Theater is all about instrumental gymnastics and not songwriting, at least momentarily, while "The Dark Eternal Light" features some nifty Pantera-esque riffing from John Petrucci. Additionally, "Repentance" is one of the album's four ten-minute-plus, mid-paced epics, and features a prerequisite of countless extended prog suites and spoken word passages. Unlike other veteran rock acts that attempted to update their sound with the times (and failed miserably), Dream Theater has admirably stuck to its guns through thick and thin -- much to the delight of their legion of admirers -- and they continue to do so on Systematic Chaos. And for that, we salute you with a flurry of flawlessly sweep-picked arpeggios. [The 2007 CD/DVD edition features the entire album remixed for 5.1 Surround on an included bonus DVD.]
CiteerReview by Heather Phares
On the cover of Together We're Heavy, the Polyphonic Spree appear robes in every color of the rainbow instead of the snowy white garb that they used to wear, but that might be the biggest difference between this album and the band's debut, The Beginning Stages Of.... The newer album's track listing even picks up where The Beginning Stages Of... left off, beginning with "Section 11 (A Long Day Continues/We Sound Amazed)," and for the most part, Together We're Heavy's sonics are also a continuation. The band's sound and feel -- which recalls the sweeping symphonics of See You on the Other Side-era Mercury Rev (minus the bipolar tendencies) and the wide-eyed optimism of the Flaming Lips (but without Wayne Coyne's Willy Wonka-like mischievousness) -- remains intact as do platitude-like lyrics such as "It's the feel-good time of the day" and "keep yourself feeling brand-new." However, the changes that have been made on Together We're Heavy are small but significant. Thanks to co-producers Eric Drew Feldman and the Speekers, the album sounds more polished and elaborate than The Beginning Stages Of..., but not bigger, since the band's sound was already pretty massive. The songs' melodies are more complex, and often more restrained than they were before, particularly on the slow-building opening track and "Section 18 (Everything Starts at the Sea)," both of which are more about bathing the listener in warm, expansive sounds than verse-chorus-verse structure. Even the album's poppiest songs, like the bouncy "Section 12 (Hold Me Now)" and "Section 14 (Two Thousand Places)," don't sound quite as much like one long chorus as "Follow the Day" and "Soldier Girl" did, although nothing on this album is as immediate as either of those songs. Occasionally, as on "Section 19 (When the Fool Becomes a King)," the Polyphonic Spree still seems to want to bully its listeners into euphoria through sheer volume, but on Together We're Heavy, Tim DeLaughter and crew seem more aware that life, even in the smiley-face world they've created, isn't always rainbows and sunshine. "Section 16 (One Man's Show)" is one of their saddest songs, as well as one of their prettiest; even though it gradually gets bigger and louder, it's never bombastic. Likewise, the winsome ballads "Section 13 (Diamonds/Mild Devotion to Majesty)" and "Section 17 (Suitcase Calling)" acknowledge that life can be difficult, but remain cautiously optimistic. However, as distinctive as the band's sound is, it's not particularly varied, and two-thirds of the way through the album things may start to drag a little for those who aren't deeply indoctrinated in the ways of the Polyphonic Spree. But, for those whom the band's manifesto of boundless love, hope, and playfulness really strikes a chord, Together We're Heavy offers more uplifting, colorful psychedelic whimsy.
Citaat van: vielzweck op april 08, 2008, 12:51:15Beetje te koud voor. :-D clown1
Soft Ice Machine volume 1 (1969)
Citaat van: Paul op april 08, 2008, 15:20:49
Beetje te koud voor. :-D clown1
Citaat van: vielzweck op april 08, 2008, 15:47:25Je bedoelt zeker de light versie. :-D :schater: :schater:
voor S M is het nooit te koud :yes:
Citaat van: Paul op april 08, 2008, 16:05:42
Je bedoelt zeker de light versie. :-D :schater: :schater:
Citaat van: vielzweck op april 08, 2008, 19:18:15Ben meestal wel allert..... :yes: byebye
je bent wel wakker hè!
weet je zdeker dat je vandaag de krenten in pap verdient heb? :lol:
CiteerBiography by Steve Huey
The progressive metal outfit Ayreon is essentially just Dutch multi-instrumentalist and songwriter Arjen Anthony Lucassen (formerly of the more mainstream metal band Vengeance), plus a revolving-door cast of collaborators and guest musicians that changes from project to project. Ayreon albums are usually large-scale concept epics and sometimes rock operas, in the latter case featuring a different vocalist for each character. Lucassen formed Ayreon in 1994 and released its first album, The Final Experiment, the following year. The more ethereal Actual Fantasy followed in 1996, and from there Ayreon only got more elaborate. 1998's Into the Electric Castle was a campy, sci-fi concept work spanning two discs and featuring guests like ex-Marillion singer Fish and the Gathering's Anneke van Giersbergen. Next up was Universal Migrator, another double-disc set whose volumes were issued separately under the subtitles Part I: The Dream Sequencer and Part II: Flight of the Migrator. These featured even more guest appearances, most notably Tiamat's Johan Edlund and Iron Maiden's Bruce Dickinson, plus current and former members of Gamma Ray, Primal Fear, Helloween, Stratovarius, and Symphony X; musicians included Rocket Scientist's Erik Norlander and ex-Gorefest drummer Ed Warby.
Citaat van: mars op mei 16, 2008, 23:17:16Niks mis mee, als we jouw kant uitkomen neem ik hem wel mee.
is die oke Paul?
grtz mars
Citaat van: mars op mei 17, 2008, 13:52:55ik neem dan ook effe wat mee kan ik lekker naar de verschillen in ons set horen goed??
yep doen
mars
Citaat van: thom op mei 17, 2008, 14:10:49
ik neem dan ook effe wat mee kan ik lekker naar de verschillen in ons set horen goed??
Citaat van: mars op mei 27, 2008, 11:14:54Ja is goed mars, idd ff op Thom wachten maar komt goed.
ja tuurlijk is dat goed :yes:
@paul vind jij het een probleem om nog 1keer met je vv en ev te slapen als je hier naar toe komt? euhhh...ooit
oke laten we eerst thomster maar ff op zijn examns concentreren
grtz mars
Citaat van: MadVillain op juni 16, 2008, 20:32:31
Jeff Buckley. Net ontdekt dat hij vette muziek maakt(te). En er ook achtergekomen dat hij al onder 't zand ligt :no:
Citaat van: vielzweck op juni 21, 2008, 17:26:23
If You Can Believe Your Eyes and Ears, (1966)
Mamas and the Papas
zucht mooi :-)
[/quote
Aan je muziekkeuze te zien ben jij ook al een jongere oudere :-D
Citaat van: Paul op juni 21, 2008, 19:11:29
stupid :-D :-) :lol: :wink: 8-) :-P :yes: hello HB notworthy
Citaat van: vielzweck op juni 21, 2008, 20:06:24Hopende dat het bij 1 gebleven is en dat het gesmaakt heeft. :wink:
Paultje,
hoewel ik geheelonthouder ben drink ik er eentje op jou,........ proost pompom
Citaat van: Lapti op juni 21, 2008, 23:23:44
geheelonthouder... dat kan nooit goed zijn :p
Citaat van: mars op juni 25, 2008, 08:38:37
oi ja wel da's harstikke goed, ben ik ook :yes: grtz mars
CiteerReview by Thom Jurek
Is it still art when you can fingerpop to it? Finally, it's arrived. In 2003 jazz songwriter, pianist, and bandleader Patricia Barber received a Guggenheim fellowship to create a song cycle based on Ovid's Metamorphoses. Barber is that rare kind of jazz artist -- she appeals to non-jazz fans. She's as ambitious as they get and her poetic, sometimes brainy compositions sit well with sophisticated pop audiences everywhere. On Mythologies, Barber has taken the heart of Ovid's text (he was a Roman poet doing his own intertextual take on Greek mythology) and created 11 pieces, each based on one character in his cycle. She's in turn written a different piece -- in style, linguistic content, and feel -- for each character she was drawn to. Much like the poet, philosopher, and playwright Anne Carson, Barber uses the present vernacular to recontextualize these seemingly eternal characters in the bedrock of jazz and her own brand of sophisticated and literary pop; she places Ovid's poems where they belong -- in song. Barber is accompanied by her crack band -- guitarist Neal Alger, bassist Michael Arnopol, and drummer Eric Montzka -- and employs as many guests as it takes to get her songs across. This isn't the gutting of ancient high culture; it's the presentation of it as something instructive, personal, and revelatory in the inner life of the songwriter. Musically, beginning with the spacious yet knotty piano notes that usher in "The Moon," Barber takes Ovid's characters, sets their context in the present vernacular (mostly), and allows them to manifest the faces of those we know, have known, or have been: "With whitecake/On my face/The actress backstage/Contemplates/Laying a universal egg/Still a broken heart/Is a broken heart...." The stillness of the moon witnesses all, and we enact our life scenarios under it, whether true or false. Alger underscores the vocal lines with small single-line runs and effects, as does the near constant bass of Arnopol. When the skittering hip-hop drums kick in after the verse ends, the band takes off, cracks the groove open (Barber's lower-register notes usher in the blues and then arpeggiates out of them), and works it.
The elegant sensuality of "Morpheus" is a dreamy tune for the king of dreams, who suffers from and witnesses ever-unrequited love -- because everyone has. The single-note bass pulse of Arnopol is hypnotic as it underscores Jim Gailloreto's soloing. The melody is dressed for the evening by Barber's gorgeous chord voicings. But it is in "Pygmalion" and "Hunger" that Ovid's truth becomes plain. Mythologies is about want and its many, many faces, about passage and arrival and return. Alger's guitar is beautifully twinned with Barber's voice as she sings "....Wildly attractive and seductive as sin/The closer you come.../The more you want to be free.../When the gods get even/They think of me/While you're fast asleep in your bed as I flee/As...I give you a kiss/As I take my leave/I leave you with this.../That there's never enough to eat...." Alger's guitar kicks it up a notch and is propelled by cowbells, rim shots, and cymbals, countered by the bass which creates the swirl of dream and desire out of silence and harmony. In fact, both "Pygmalion" and "Hunger" are sick with desire; they reflect our own sickness with it. It's all craving: "Like Narcissus and his lover/You can never have the other/You can never lick the plate/Clean...." "Icarus," written for Nina Simone, is ushered by strummed, rubbery, yes, perhaps even melting guitar chords and a slippery, fluid bassline as Simone's tale -- as interpreted through Ovid's Icarus via Barber -- is revealed in the subjective moment. It's nocturnal, dreamy, picaresque, and full of swirl and swoop, with a memorable melody. The dark, minor-chord voicings that usher in "Orpheus" offer the blues as isolation, as the interlocutor of emptiness. The sensuality is in the void, but it remains smoldering with want in the flesh and with hope in the heart. The tender "Persephone," with its lushness and the languid ease of its night lounge wishes, gives voice to the following "Narcissus," together these are among the most beautiful songs Barber has ever written. She finds the Roman, the Greek, and the Anglo tenets, the secret faces of her characters, and sets them in the looking glass viewing themselves and/as one another. Yet all of them in song are communicated from an airy shelter of reverie. Jazz falls down around each one, as pop (think Joni Mitchell after a mellow bottle of red wine) caresses them. They are not statues, but instead have the ever-thinning appearance of the lost, the forgotten, the wished for, the never possessed.
The hard truth of all -- as Ovid saw in his own looking glass -- lies in Barber's lines: "Brazenly object/Willingly subject...." "Whiteworld/Oedipus" funks, rocks, swerves, and spills over the lip of the cup to reveal thievery and non-subjective will as their own gift and reward: "I have institutions in the West/To make institutions in the East/I historically revise/With deconstructionist ease...I'm a gangster in a Hummer/And this culture will yield to me/Whiteworld...." "Phaeton," fleshed out by a hip-hop choir, displays the cycle in its most questioning face. Barber's band plays emotively and lushly before the rapping voices fall down like a sequence of apocalyptic environmental prophecies that are coming true in the present. They reveal the coming darkness in the spatial moment when the bill comes due, as the band attempts to comfort these prophets in their anguish. The set ends with "The Hours," where loss, regret, passage, and transformation -- indeed metamorphosis -- all come out of the closet, rolling down with desperate bargains and false hopes in their open hands. Barber nearly whispers her character's preparation in balladry so impure and unsentimental that its sensuality is raw but iconoclastically beautiful. The band enters seamlessly, and fills out the passage of night as the sun asserts its rise to a rock & roll backbeat. The group rises, too; the tempo becomes more pronounced and the choir is heard once more, nearly gospel-like -- except for the syncopation in its utterances -- as it follows Barber toward the emptying out of this ragged but sultry vessel.
Here is where those left off and left over beg for Heaven to wait one more day before it claims them, even as it arrives with its wry smile and bared teeth. The simple melodic structure belies the sheer want and need of the hopeless request. When the refrain "Who'll save us now?" comes reverberating back from the choir with a vengeance, one realizes that there really is no vengeance, only recurrence as the dream begins anew. Mythologies is a single moment in jazz when the entire music moves forward because it engages the culture as it is. Blues and swing are embedded in these complex, ever-shifting harmonics and melodic songs; they shape-shift through pop, balladry, rock, post-bop, and even hip-hop. They stand on their own in the full poetic view of the written and sung word. Indeed, as a whole they become something wonderfully new, generated from the meat, bone, and sinew of the past as it enters the here and now. Mythologies is Barber's masterpiece -- thus far.
Citaat van: Stadium III op juli 28, 2008, 20:15:10
Ik heb vandaag geprobeerd om ff naar pink floyd te kijken en luisteren maar het 2e nummer heb ik al niet meer gezien :zzz: :angel:
Citaat van: Vlearmoes op augustus 17, 2008, 13:05:50
Jaa die is mooi :roll: (wel een beetje langdraadig)
██ Disc 1/2 ██
██ -------- ██
██ 1 Lenny Dee - Extreme Mash (The Intro) 2:25 ██
██ 2 DJ Earthquake - Step Into The Pit 5:02 ██
██ 3 The Emperator & Chromatic - Mental Fear 5:07 ██
██ 4 Fiend & Broken Rules - Sharper Image 4:51 ██
██ 5 Cut A Kaos - Dedicated To.... 5:36 ██
██ 6 Terrorfact - Achtung (Cervello Eeettronica Remix) 5:32 ██
██ 7 Stan Grewzell - Das Grauen 5:14 ██
██ 8 Terrorfact - Headcase (Floppy Disk Remix) 5:46 ██
██ 9 Koney - Unregistered 4:26 ██
██ 10 Daisy & Stormtrooper - Mindwalkers 5:01 ██
██ 11 Moleculez - Legally Insane 5:57 ██
██ 12 Forsaken Is dead & Cik - Where U At 4:30 ██
██ 13 Tymon - Passing By 5:35 ██
██ 14 Manga Corps - The Hunter 5:18 ██
██ 15 Broken Rules - Normal Operation 4:25 ██
██ 16 German Rhythm Disaster - The end 2:42 ██
██ ██
██ 77:27 ██
██ Disc 2/2 ██
██ -------- ██
██ 1 The Speed Freak - Give Me A Call 3:52 ██
██ 2 Life:::Runs:::Red Meets Tymon - Distorture 5:00 ██
██ 3 Tymon - Gucci 5:22 ██
██ 4 Stormtrooper - Todesvogel 4:51 ██
██ 5 Ophidian & Tieum - Nothing I Can't Handle 5:22 ██
██ 6 Lenny Dee - The Dreamer (Promo Remix) 6:00 ██
██ 7 Delta 9 - No More Regrets (Inyoung & Static Mix) 5:21 ██
██ 8 Fiend & Broken rules vs. Lenny Dee - Break Ya Head 4:42 ██
██ 9 Tieum & Lenny Dee - I Don't Like You Either 4:44 ██
██ 10 Partyraiser & The Negotiator - No Negotiations 4:44 ██
██ 11 Jappo & Lancinhouse - Exlxax (Neophyte & Evil 5:39 ██
██ Activities Remix) ██
██ 12 DJ Skinhead - The Ultimate Cumshot 4:00 ██
██ 13 Akira - Ripping FXXkin Strength 2:48 ██
██ 14 ISR Crew - Special Message For Lenny 0:21 ██
██ 15 Moshpit - Eyesore 2:51 ██
██ 16 Riff Glitchard - Instant Mash 4:38 ██
██ 17 Moshpit - We Killed Jah 5:28 ██
██ ██
██ 75:43 ██
CiteerReview by Stephen Thomas Erlewine
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band -- Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes before the tape rolled, and then the band improvised. The end results were wondrous and still crackle with vitality. Kind of Blue works on many different levels. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection.
Citaat van: sm8rules op augustus 20, 2008, 23:58:07
Mike oldfield cd AMAROK
Tekst achterop cd (HEALTH WARNING) klopt.
Al vaak beluisterd maar nog steeds verrassend mooi dynamiek.
Citaat van: MadVillain op augustus 17, 2008, 14:49:16
Ik hou het ook alleen de 1e 4 nummers vol.
Nu heb ik compleet andere muziek opstaan: Lenny Dee Presents Cold Fusion
Tracklisting:Code Selecteer
██ Disc 1/2 ██
██ -------- ██
██ 1 Lenny Dee - Extreme Mash (The Intro) 2:25 ██
██ 2 DJ Earthquake - Step Into The Pit 5:02 ██
██ 3 The Emperator & Chromatic - Mental Fear 5:07 ██
██ 4 Fiend & Broken Rules - Sharper Image 4:51 ██
██ 5 Cut A Kaos - Dedicated To.... 5:36 ██
██ 6 Terrorfact - Achtung (Cervello Eeettronica Remix) 5:32 ██
██ 7 Stan Grewzell - Das Grauen 5:14 ██
██ 8 Terrorfact - Headcase (Floppy Disk Remix) 5:46 ██
██ 9 Koney - Unregistered 4:26 ██
██ 10 Daisy & Stormtrooper - Mindwalkers 5:01 ██
██ 11 Moleculez - Legally Insane 5:57 ██
██ 12 Forsaken Is dead & Cik - Where U At 4:30 ██
██ 13 Tymon - Passing By 5:35 ██
██ 14 Manga Corps - The Hunter 5:18 ██
██ 15 Broken Rules - Normal Operation 4:25 ██
██ 16 German Rhythm Disaster - The end 2:42 ██
██ ██
██ 77:27 ██
██ Disc 2/2 ██
██ -------- ██
██ 1 The Speed Freak - Give Me A Call 3:52 ██
██ 2 Life:::Runs:::Red Meets Tymon - Distorture 5:00 ██
██ 3 Tymon - Gucci 5:22 ██
██ 4 Stormtrooper - Todesvogel 4:51 ██
██ 5 Ophidian & Tieum - Nothing I Can't Handle 5:22 ██
██ 6 Lenny Dee - The Dreamer (Promo Remix) 6:00 ██
██ 7 Delta 9 - No More Regrets (Inyoung & Static Mix) 5:21 ██
██ 8 Fiend & Broken rules vs. Lenny Dee - Break Ya Head 4:42 ██
██ 9 Tieum & Lenny Dee - I Don't Like You Either 4:44 ██
██ 10 Partyraiser & The Negotiator - No Negotiations 4:44 ██
██ 11 Jappo & Lancinhouse - Exlxax (Neophyte & Evil 5:39 ██
██ Activities Remix) ██
██ 12 DJ Skinhead - The Ultimate Cumshot 4:00 ██
██ 13 Akira - Ripping FXXkin Strength 2:48 ██
██ 14 ISR Crew - Special Message For Lenny 0:21 ██
██ 15 Moshpit - Eyesore 2:51 ██
██ 16 Riff Glitchard - Instant Mash 4:38 ██
██ 17 Moshpit - We Killed Jah 5:28 ██
██ ██
██ 75:43 ██
Dit is even wat andere muziek :evil:. Alleen is mijn set niet echt geschikt voor deze muziek omdat ik echt dat harde dreunen mis. Zal ook wel enorm aan m'n akoestiek liggen.
Citaat van: Marco op augustus 02, 2008, 15:35:35
(http://www.crazy-diamond.nl/tonefloat/images/cover40.jpg)
hijs goed mers :yes:
Citaat van: Vlearmoes op augustus 24, 2008, 08:44:11
En welk nr speciaal ?
De cd amarok is 1 lang nummer.
Als je Mike Oldfield bij Wikipedia opzoekt lees je iets leuk over de cd amarok.
CiteerReview by Lindsay Planer
Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train -- Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry -- touching upon all forms in between. The personnel on Blue Train is arguably as impressive as what they're playing. Joining Coltrane (tenor sax) are Lee Morgan (trumpet), Curtis Fuller (trombone), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The triple horn arrangements incorporate an additional sonic density that remains a trademark unique to both this band and album. Of particular note is Fuller's even-toned trombone, which bops throughout the title track as well as the frenetic "Moments Notice." Other solos include Paul Chambers' subtly understated riffs on "Blue Train" as well as the high energy and impact from contributions by Lee Morgan and Kenny Drew during "Locomotion." The track likewise features some brief but vital contributions from Philly Joe Jones -- whose efforts throughout the record stand among his personal best. Of the five sides that comprise the original Blue Train, the Jerome Kern/Johnny Mercer ballad "I'm Old Fashioned" is the only standard; in terms of unadulterated sentiment, this version is arguably untouchable. Fuller's rich tones and Drew's tastefully executed solos cleanly wrap around Jones' steadily languid rhythms. Without reservation, Blue Train can easily be considered in and among the most important and influential entries not only of John Coltrane's career, but of the entire genre of jazz music as well. [In the spring of 1997, The Ultimate Blue Train CD was released, boasting 20-bit remastered audio as well as one alternate take of both "Blue Train" and "Lazy Bird." Additionally, the disc includes "At Least Listen" -- an interactive CD-ROM program featuring video clips and interview clips with Fuller circa 1995, as well as many brilliant photographs taken during the recording sessions.]
Citaat van: MadVillain op september 01, 2008, 23:35:53:no: ken ik dus ook niet....
Staat op die cd ook giant steps? Dat is echt een lekker nummer:
CiteerIdem hier. Heb trouwens ook het debuutalbum van wolfmother. Rockt wel ;)
Grappig dat nieuwe muziek mij ertoe heeft gezet ook het oude waarop het gebaseerd is te luisteren en vooral te waarderen. Wolfmother dus.....
CiteerAlbum SummaryEen oude opname dus (1963), waar ook de nodige fouten in zitten. Behoorlijke ruisniveau, rumble, oversturing. Desalniettemin een muzikaal meesterstukje. Heb ook varianten en opnames van andere dirigenten en labels gehoord, maar die misten alle de emotie en expressie van deze cd.
Title
Verdi: Requiem/Four Sacred Pieces
Composers
Giuseppe Verdi, Giuseppe Verdi
Artists
Carlo Maria Giulini (1914 – 2005), Dame Janet Baker, Elisabeth Schwarzkopf (1915 – 2006)
Catalogue Number
0724356756328
About the album
In 1963, he had been equally enthusiastic about the recording of the Four Sacred Pieces: 'an outstanding issue' and 'a wonderful performance and recording'. Of Pitz's Philharmonia Chorus, crucial in both the Requiem and the Four Sacred Pieces, he wrote that 'no finer choral singing can be heard in the world today'...
When this famous recording of the Requiem was first released in 1964, the critic Alec Robertson writing in Gramophone was ecstatic: 'superb orchestral playing', 'splendid singing from Wilhelm Pitz's Chorus' and 'superlatively good' teamwork from the individually 'outstanding' soloists. Giulini 'is the presiding genius' and the recording 'surpasses any we've had so far'...
Citaat van: Stadium III op september 04, 2008, 21:34:03nee jho hoe kom je daar nu bij :-D :wink: clown1
Liever arrow classic rock!
Citaat van: Roland65 op september 05, 2008, 00:14:39
.....de man met meer laag in z'n stem dan welke sub dan ook hello
http://www.youtube.com/watch?v=7QPMvj_xejg
Citaat van: mahansz op september 08, 2008, 21:49:18Niet iets waar ik van hou, maar wel waar ik de schoonheid van in kan zien. De drama spat er van af, en vertelt dus zo zijn eigen verhaal.
ok, hier moet je echt van houden, snap ook volledig dat men dit uitspuigt, maar op z'n tijd vind ik dit heerlijk:
Polyphony met Sleep
http://www.youtube.com/watch?v=CIh7CEBYlzA
voor de mensen die op de link klikken, ik heb je gewaarschuwd ! :wink: :lol: :lol:
Citaat van: mahansz op september 08, 2008, 21:49:18Indrukwekkend die beelden.
ok, hier moet je echt van houden, snap ook volledig dat men dit uitspuigt, maar op z'n tijd vind ik dit heerlijk:
Polyphony met Sleep
http://www.youtube.com/watch?v=CIh7CEBYlzA
voor de mensen die op de link klikken, ik heb je gewaarschuwd ! :wink: :lol: :lol:
CiteerBiography by Steve Huey
The progressive metal outfit Ayreon is essentially just Dutch multi-instrumentalist and songwriter Arjen Anthony Lucassen (formerly of the more mainstream metal band Vengeance), plus a revolving-door cast of collaborators and guest musicians that changes from project to project. Ayreon albums are usually large-scale concept epics and sometimes rock operas, in the latter case featuring a different vocalist for each character. Lucassen formed Ayreon in 1994 and released its first album, The Final Experiment, the following year. The more ethereal Actual Fantasy followed in 1996, and from there Ayreon only got more elaborate. 1998's Into the Electric Castle was a campy, sci-fi concept work spanning two discs and featuring guests like ex-Marillion singer Fish and the Gathering's Anneke van Giersbergen. Next up was Universal Migrator, another double-disc set whose volumes were issued separately under the subtitles Part I: The Dream Sequencer and Part II: Flight of the Migrator. These featured even more guest appearances, most notably Tiamat's Johan Edlund and Iron Maiden's Bruce Dickinson, plus current and former members of Gamma Ray, Primal Fear, Helloween, Stratovarius, and Symphony X; musicians included Rocket Scientist's Erik Norlander and ex-Gorefest drummer Ed Warby.
Citaat van: mahansz op september 08, 2008, 21:49:18
ok, hier moet je echt van houden, snap ook volledig dat men dit uitspuigt, maar op z'n tijd vind ik dit heerlijk:
Polyphony met Sleep
http://www.youtube.com/watch?v=CIh7CEBYlzA
voor de mensen die op de link klikken, ik heb je gewaarschuwd ! :wink: :lol: :lol:
Citaat van: Lapti op september 21, 2008, 13:59:09
wauw! Ik ben niet zo van muziek met koren, maar ik kreeg hier echt wel even kippenvel op sommige plekken, denk dat ik hier een cdtje van moet zoeken! (ik zou dus niet echt snappen als mensen dit uitspugen :p maarja smaken verschillen)
Citaat van: mahansz op september 22, 2008, 22:58:44
kijk, toch meer medestanders dan verwacht :lol:
nog maar eentje dan: Saint Preux - met Concerto pour une voix. Iedereen kent het wijsje wel, dit is het origineel:
http://www.youtube.com/watch?v=24TaTGljBAE (http://www.youtube.com/watch?v=24TaTGljBAE)
De cd hiervan is niet eens meer te verkrijgen... kan je nagaan.. Het is trouwens eigenlijk niet Youtube kwaliteit waardig, dit moet je echt vanaf een goeie set horen, kippevel! (of is het kippenvel? :-D :-D)
CiteerReview by Heather Phares
After the concise About a Boy soundtrack and the overdone Have You Fed the Fish?, Damon Gough (aka Badly Drawn Boy) still seems to be searching for balance on his fourth album, One Plus One Is One. Even the album's name contains conflicting wishes for simplicity and multiplicity, along with suggesting a relationship's theory of mathematics. Most of the songs here revolve around love's simplicities and complexities in settings that range from unadorned to elaborate. One Plus One Is One starts out simple and strong, with the title track, "Easy Love," and the Jethro Tull-esque (but in a good way) "Summertime in Wintertime" cataloging some of the additions and subtractions in Gough's life while sounding like late summer in the English countryside. Songs like these and the lovely "This Is That New Song" may get Badly Drawn Boy fans' hopes up that this is the album they've been waiting for since The Hour of Bewilderbeast. One Plus One Is One does have some of the seemingly effortless grace of Gough's will o' the wisp tour de force, but unlike that album, this set of songs feels more grounded and, like most of his work after About a Boy, the heavy lifting in his music is more apparent. As the album unfolds, it gets increasingly baroque, meandering, and logy; not only are there overly lavish Have You Fed the Fish? flashbacks like "Take the Glory" and "Holy Grail," songs that are otherwise successfully simple, such as "Logic of a Friend," are tricked out with unnecessarily busy arrangements. Certainly, choices like the kids choir on "Year of the Rat" -- not to mention lyrics like "If we hold on, we can find some new energy" -- are easy targets, but in this case, Gough manages to pull off the kind of vulnerable, wide-eyed optimism that usually gets short shrift in the too-cool-for-school indie world. Still, it's arguable whether or not these more grandiose songs have more impact than beautifully succinct ones like "Fewer Words" and "Four Leaf Clover." The U.S. version of One Plus One Is One further gilds the lily with two bonus tracks, the well-intended but undernourished "Don't Ask Me I'm Only the President" and the musically hyperactive "Plan B," both of which pad the album out to over an hour. Gough's music seems to be undergoing the usual growing pains of moving beyond a landmark work, and a landmark debut in particular; it's possible that he's moving into the craftsman phase of his career, refining the territory he's already staked out instead of claiming more. There are times when One Plus One Is One is simply too much, and the fresh spin that Gough brought to the British singer/songwriter tradition in his earlier work is missed, but he's still a fine addition to it.
Citaat van: Lapti op september 23, 2008, 21:39:16
Ook mooi! Maar was meer onder de indruk van de spannende harmonieën van het koor!
Citaat van: mahansz op september 23, 2008, 23:15:19
die was ook erg moeilijk te evenaren hoor :lol:
Gek genoeg kan ik niet de gehele cd afluisteren van ze, maar een paar nummers achter elkaar is heerlijk op z'n tijd!
CiteerBiography by Margaret Reges
In her more meditative moments, the folky Swedish singer/songwriter Anna Ternheim seems to conjure up the shadow of fellow Swede Sophie Zelmani; at other times, her poignant, urgent, piano-driven songs nod to artists like Coldplay and, to a certain extent, Dido. It was probably thanks to this well-read sound, not to mention the fact that she recorded her songs in English, that Ternheim went on to earn critical acclaim on an international scale following the release of her sophomore LP. Ternheim's first recordings, a couple of EPs released on Only Records, emerged in 2003. She wasn't destined to languish in obscurity for long, though. Ternheim was picked up by Stockholm Records soon after that, and the label went on to release what would prove to be Ternheim's breakthrough album, Somebody Outside, the following year. Somebody Outside went on to be nominated for numerous Swedish Grammy awards, including Best Newcomer, which Ternheim won. She signed a deal with Universal soon after that, and her sophomore album, Separation Road, was released in 2006.
Citaat van: vielzweck op september 28, 2008, 11:36:00Lol, ik heb patricia nu ook opstaan!
Patricia Barber
(op radio 6)
Citaat van: vielzweck op september 28, 2008, 11:36:00Wel relaxte muziek op radio 6. :wink:
Patricia Barber
(op radio 6)
Citaat van: HiFi gek op september 28, 2008, 18:01:44
Ik luister nu naar de cirkelzaag van mijn buurman . violent1
Zal eens proberen hem te overstemmen door mijn Ducati motor met race uitlaten te starten , dit klinkt tenminste als muziek in mijn oren :yes:
Groeten EDWIN B
Citaat van: HiFi gek op september 28, 2008, 18:04:17
Shit , mijn accu staat leeg . :x
Groeten EDWIN B
Citaat van: HiFi gek op september 28, 2008, 18:04:17Tja, dat ding moet ook wel eens de schuur uit om op gereden te worden ;)
Shit , mijn accu staat leeg . :x
Groeten EDWIN B
Citaat van: Maurice op september 28, 2008, 18:50:31
Tja, dat ding moet ook wel eens de schuur uit om op gereden te worden ;)
Citaat van: vielzweck op september 28, 2008, 11:36:00Lekkere muziek Ger, heb deze nu opstaan als achtergrond muziek tijdens het werk!
Patricia Barber
(op radio 6)
Citaat van: Maurice op september 30, 2008, 19:14:02
Lekkere muziek Ger, heb deze nu opstaan als achtergrond muziek tijdens het werk!
Citaat van: HiFi gek op september 28, 2008, 21:17:18
Daar komt niet veel meer van de laatste 2 jaar .
Ik heb dit jaar denk ik maar 5 keer gereden ofzo .
Een kilometer of 800 schat ik .
Maar ik treur er niet om , want ik ben tegenwoordig veel meer met de stereo set in de weer , en dat bevalt zeer goed .
Groeten EDWIN B
Citaat van: mars op oktober 01, 2008, 08:09:28
oi
dan blijft ie wel netjes :yes:
CiteerReview by Steve Huey
The companion piece to Conversations (recorded at the same mid-1963 sessions with producer Alan Douglas), Iron Man is every bit as essential and strikes a more consistent ambience than its widely varied twin. It also more clearly anticipates the detailed, abstract sound paintings of Dolphy's masterwork Out to Lunch, in large part because this time around the program is weighted toward Dolphy originals. "Iron Man," "Burning Spear," and the shorter "Mandrake" all have pretty outside themes, full of Dolphy's trademark wide interval leaps and playful sense of dissonance. Yet there's enough structure and swing to make their roots in hard bop perfectly clear, and once the front-line horns blast out the themes, the ensemble shifts into a more cerebral, exploratory mode. In the absence of a piano, Bobby Hutcherson's vibes are a crucial anchor, outlining dissonant harmonies that hang in the air almost spectrally behind the rest of the group. Most of the same musicians from Conversations appear here, including trumpeter Woody Shaw, flutist Prince Lasha, altoist Sonny Simmons, and soprano sax player Clifford Jordan. And once again, Dolphy duets with bassist Richard Davis, twice this time -- on bass clarinet for Ellington's "Come Sunday" and on flute for Jaki Byard's "Ode to C.P." Both are lovely, meditative pieces filled with conversational exchanges between the two players, illustrating what similar wavelengths they were on. Between Conversations and Iron Man, split up the way they are, one has to give a slight edge to the latter for its more cohesive presentation, yet these are classic sessions in any form and constitute some of the most brilliant work of the early-'60s avant-garde.
CiteerArtist
Eric Dolphy
Album
Iron Man
Rating
5 Stars
Recording Date
Jul 1, 1963,Jul 4, 1963
Label
Celluloid
Time
40:22
Genre
Styles
* Jazz
* Avant-Garde Jazz
* Post-Bop
Moods
Themes
* Eccentric
* Uncompromising
* Searching
* Provocative
* Cathartic
* Sprawling
* Knotty
* Fractured
* Ambitious
* Urgent
* Enigmatic
* Freewheeling
* Fiery
* Intense
* Cerebral
* Sophisticated
* Passionate
* Complex
* Feeling Blue
* Introspection
* Revolutionary
* The Creative Side
Citaat van: HiFi gek op oktober 02, 2008, 17:13:34Better is: The girl in the same room. clown1 :schater: byebye
Ga vanavond draaien .
Diana Krall -- The girl in the other room ( sacd )
Groeten EDWIN B
Citaat van: Paul op oktober 02, 2008, 19:40:03
Better is: The girl in the same room. clown1 :schater: byebye
Citaat van: Paul op oktober 02, 2008, 19:40:03
Better is: The girl in the same room. clown1 :schater: byebye
Citaat van: MadVillain op oktober 06, 2008, 20:33:42
Alweer naar Miles Davis - Kind of Blue :-D
Citaat van: vielzweck op oktober 06, 2008, 15:17:17
patricia barber mythologies :-D
gvd......helemaal niet verkeerd pompom
Citaat van: mars op oktober 07, 2008, 06:27:13Nummer 11: Nardis is gewoon meesterlijk notworthy
oi
ja gaaf he !!
heb je café blue wel eens gehoord van d'r??
nee? gelijk gaan hale, , gewoon in de blind :wink:
Citeer3FM Serious Talent. Dé plek voor artiesten en bands om de sprong te maken naar het grote publiek.
In Nederland loopt veel talent rond. Om de doorbraak iets sneller te forceren zet 3FM zich in om dat talent een plek te geven op de radio en internet. De muziekredactie van 3FM houdt de vinger aan de pols in muziekland. En als je eenmaal bij ons in de picture bent, dan proberen we je ook zo goed mogelijk te helpen: optredens op grote festivals, opnames met topproducers, clubtours in samenwerking met gerenommeerde boekers. En jaarlijks reiken we de 3FM Serious Talent Award uit.
Citaat van: HiFi gek op oktober 09, 2008, 17:31:37
Vandaag ga ik draaien .
Ian Shaw -- Drawn to al things ( sacd )
Groeten EDWIN B
Citaat van: mars op oktober 10, 2008, 09:17:30
aha , kijk jij draait dus eiegnlijk met voorbedachte rade , jaja ontkennen heeft geen zin meer in deze :lol:
was een GAAAAAAAAAARAP.
Citaat van: Paul op oktober 15, 2008, 21:51:11
De voor mij beste gitarist van Nederland
(http://i34.tinypic.com/23tqexh.jpg)
10000 Clowns On A Rainy D
Citaat van: Marco op oktober 24, 2005, 02:23:28
Arena,
The hanging tree.
Mooie symfo rock die een mooie opbouw heeft a la Pink Floyd 8) ,met zangwerk die mij aan Fish doet denken.
Het kan haast ook niet anders aangezien de groep het geestekind is van ex Marrilion drummer Nick pointer en toetsenmanClive Nolan.
Dit is een waar muziekaal hoogtepunt!
Citaat van: HiFi gek op oktober 24, 2008, 16:18:26Wat moet ik mij daar bij voorstellen?
Luister nu naar .
Tsuyoshi Yamamoto -- Autumn in Seattle (sacd)
Groeten EDWIN B
Citaat van: Maurice op oktober 24, 2008, 23:07:14Autumn in Seattle clown1... het bekende jaargetijde. :-P
Wat moet ik mij daar bij voorstellen?
Citaat van: Maurice op oktober 24, 2008, 23:07:14
Wat moet ik mij daar bij voorstellen?
Citaat van: HiFi gek op oktober 25, 2008, 17:21:19
Vanavond krijg ik een vriend op visite die nogal gek is op HARP muziek .
Ook van deze soort muziek heb ik heel wat cd's , helaas nog geen sacd's .
Ga dan vanavond draaien cd's van .
Rüdiger Opperman ( Duits )
Andreas Vollenweider ( Zwitzerland )
Loorena MCkennit ( Ierland )
Deborah Henson Conant ( Ik dacht uit Canada )
Maire Brennan ( zangeres van Clanned solo , Ierland )
Groeten EDWIN B
Citaat van: MadVillain op oktober 27, 2008, 02:09:05
Grappig! Ik ben net toevallig via Itunes gestuit op Andreas Vollenweider. Echt mooi opgenomen muziek (jammer van de 128 kb/s AAC kwaliteit)
Maar Flac downloaden lost veel op :roll:
Nu ben ik Under the tree van hem aan het luisteren. Er zitten echt veel kleine details in de muziek wat ik vaak weleens mis bij andere albums.
Is de rest van je lijst ook vergelijkbaar?
Citaat van: vielzweck op november 04, 2008, 07:55:00
Vroeger jaren 70 was er een kwis op de televisie waar heel nederland naar keek (heel nederland?... een heel klein dorpje hield stand...... :-) )
Mies Bouman presenteerde deze kwis en daar trad Manitas vaker in op, was wel indrukwekkend zijn gitaarspel. :yes:
Citaat van: Bernard Hi-5 op november 05, 2008, 16:44:59
En ja, Hans Zimmer; altijd goed. Met de OST van Gladiator kun je ook prima je hifi-set uittesten door de grote dynamiek van de filmscore.
Citaat van: Bernard Hi-5 op november 05, 2008, 16:44:59
Ik vind 320 kb/s toch minimaal. Naar mijn smaak blijft flac toch het beste compressieformaat om met zo min mogelijk kwaliteitsverlies muziek over internet te distribueren. Zelf zoek ik wel eens via http://www.rapidoogle.com (http://www.rapidoogle.com) naar albums. Gratis, dus voor niks ophalen. (ssst... :-D) En dan zijn er natuurlijk nog de binaries, die een onuitputtelijke bron van genot vormen voor de audiovisuele mens. En ja, Hans Zimmer; altijd goed. Met de OST van Gladiator kun je ook prima je hifi-set uittesten door de grote dynamiek van de filmscore.
Citaat van: Maurice op november 09, 2008, 09:12:32same here :yes:
Nu Systematic Chaos van Dreamtheater.
Citaat van: Marco op november 11, 2008, 15:26:53Net zo hard als toen we de sphinx en de rotel bij toen testten?
same here :yes:
ik heb iig nog niet eerder zo hard gedraaid als net,maar goed dat de buren er niet waren :-D
Citaat van: Maurice op december 02, 2008, 22:03:15Meestal kom ik niet verder dan de bolero.........ja de bekende. :-D :wink:
Ik merk trouwens uberhaupt dat ik weer meer klassiek draai. Gisteren al Askenazy op de piano laten raggen om Rachmaninov te vertolken en eergisteren requiem van Mozart gedraaid.
Citaat van: Bernard Hi-5 op december 04, 2008, 01:29:40Ik heb deze van Carlo Maria Giulini. Een opname uit 1964. Geluid is niet perfect (rumble cq oversturing soms, ruis), maar wel een enorm mooie uitvoering met veel drama.
Welke uitvoering? Ik vind zelf de uitvoering door Gardiner uit 1995 met het Monteverdi Choir en het Orchestre Révolutionnaire et Romantique op Philips Classics erg goed. Als je daar het Dies Irae lekker hard aanzet wordt je zowat uit de zetel van je stoel geblazen en lijkt het alsof ze je uit de diepste krochten van deze aardkloot persoonlijk komen halen :evil:
(http://images.barnesandnoble.com/images/7800000/7807836.jpg)
Citaat van: Paul op januari 02, 2009, 19:30:31
25th Anniversary - Toto
(http://i39.tinypic.com/2ur12fd.jpg)
Live in Amsterdam
CiteerReview by Thom Jurek
Is it still art when you can fingerpop to it? Finally, it's arrived. In 2003 jazz songwriter, pianist, and bandleader Patricia Barber received a Guggenheim fellowship to create a song cycle based on Ovid's Metamorphoses. Barber is that rare kind of jazz artist -- she appeals to non-jazz fans. She's as ambitious as they get and her poetic, sometimes brainy compositions sit well with sophisticated pop audiences everywhere. On Mythologies, Barber has taken the heart of Ovid's text (he was a Roman poet doing his own intertextual take on Greek mythology) and created 11 pieces, each based on one character in his cycle. She's in turn written a different piece -- in style, linguistic content, and feel -- for each character she was drawn to. Much like the poet, philosopher, and playwright Anne Carson, Barber uses the present vernacular to recontextualize these seemingly eternal characters in the bedrock of jazz and her own brand of sophisticated and literary pop; she places Ovid's poems where they belong -- in song. Barber is accompanied by her crack band -- guitarist Neal Alger, bassist Michael Arnopol, and drummer Eric Montzka -- and employs as many guests as it takes to get her songs across. This isn't the gutting of ancient high culture; it's the presentation of it as something instructive, personal, and revelatory in the inner life of the songwriter. Musically, beginning with the spacious yet knotty piano notes that usher in "The Moon," Barber takes Ovid's characters, sets their context in the present vernacular (mostly), and allows them to manifest the faces of those we know, have known, or have been: "With whitecake/On my face/The actress backstage/Contemplates/Laying a universal egg/Still a broken heart/Is a broken heart...." The stillness of the moon witnesses all, and we enact our life scenarios under it, whether true or false. Alger underscores the vocal lines with small single-line runs and effects, as does the near constant bass of Arnopol. When the skittering hip-hop drums kick in after the verse ends, the band takes off, cracks the groove open (Barber's lower-register notes usher in the blues and then arpeggiates out of them), and works it.
The elegant sensuality of "Morpheus" is a dreamy tune for the king of dreams, who suffers from and witnesses ever-unrequited love -- because everyone has. The single-note bass pulse of Arnopol is hypnotic as it underscores Jim Gailloreto's soloing. The melody is dressed for the evening by Barber's gorgeous chord voicings. But it is in "Pygmalion" and "Hunger" that Ovid's truth becomes plain. Mythologies is about want and its many, many faces, about passage and arrival and return. Alger's guitar is beautifully twinned with Barber's voice as she sings "....Wildly attractive and seductive as sin/The closer you come.../The more you want to be free.../When the gods get even/They think of me/While you're fast asleep in your bed as I flee/As...I give you a kiss/As I take my leave/I leave you with this.../That there's never enough to eat...." Alger's guitar kicks it up a notch and is propelled by cowbells, rim shots, and cymbals, countered by the bass which creates the swirl of dream and desire out of silence and harmony. In fact, both "Pygmalion" and "Hunger" are sick with desire; they reflect our own sickness with it. It's all craving: "Like Narcissus and his lover/You can never have the other/You can never lick the plate/Clean...." "Icarus," written for Nina Simone, is ushered by strummed, rubbery, yes, perhaps even melting guitar chords and a slippery, fluid bassline as Simone's tale -- as interpreted through Ovid's Icarus via Barber -- is revealed in the subjective moment. It's nocturnal, dreamy, picaresque, and full of swirl and swoop, with a memorable melody. The dark, minor-chord voicings that usher in "Orpheus" offer the blues as isolation, as the interlocutor of emptiness. The sensuality is in the void, but it remains smoldering with want in the flesh and with hope in the heart. The tender "Persephone," with its lushness and the languid ease of its night lounge wishes, gives voice to the following "Narcissus," together these are among the most beautiful songs Barber has ever written. She finds the Roman, the Greek, and the Anglo tenets, the secret faces of her characters, and sets them in the looking glass viewing themselves and/as one another. Yet all of them in song are communicated from an airy shelter of reverie. Jazz falls down around each one, as pop (think Joni Mitchell after a mellow bottle of red wine) caresses them. They are not statues, but instead have the ever-thinning appearance of the lost, the forgotten, the wished for, the never possessed.
The hard truth of all -- as Ovid saw in his own looking glass -- lies in Barber's lines: "Brazenly object/Willingly subject...." "Whiteworld/Oedipus" funks, rocks, swerves, and spills over the lip of the cup to reveal thievery and non-subjective will as their own gift and reward: "I have institutions in the West/To make institutions in the East/I historically revise/With deconstructionist ease...I'm a gangster in a Hummer/And this culture will yield to me/Whiteworld...." "Phaeton," fleshed out by a hip-hop choir, displays the cycle in its most questioning face. Barber's band plays emotively and lushly before the rapping voices fall down like a sequence of apocalyptic environmental prophecies that are coming true in the present. They reveal the coming darkness in the spatial moment when the bill comes due, as the band attempts to comfort these prophets in their anguish. The set ends with "The Hours," where loss, regret, passage, and transformation -- indeed metamorphosis -- all come out of the closet, rolling down with desperate bargains and false hopes in their open hands. Barber nearly whispers her character's preparation in balladry so impure and unsentimental that its sensuality is raw but iconoclastically beautiful. The band enters seamlessly, and fills out the passage of night as the sun asserts its rise to a rock & roll backbeat. The group rises, too; the tempo becomes more pronounced and the choir is heard once more, nearly gospel-like -- except for the syncopation in its utterances -- as it follows Barber toward the emptying out of this ragged but sultry vessel.
Here is where those left off and left over beg for Heaven to wait one more day before it claims them, even as it arrives with its wry smile and bared teeth. The simple melodic structure belies the sheer want and need of the hopeless request. When the refrain "Who'll save us now?" comes reverberating back from the choir with a vengeance, one realizes that there really is no vengeance, only recurrence as the dream begins anew. Mythologies is a single moment in jazz when the entire music moves forward because it engages the culture as it is. Blues and swing are embedded in these complex, ever-shifting harmonics and melodic songs; they shape-shift through pop, balladry, rock, post-bop, and even hip-hop. They stand on their own in the full poetic view of the written and sung word. Indeed, as a whole they become something wonderfully new, generated from the meat, bone, and sinew of the past as it enters the here and now. Mythologies is Barber's masterpiece -- thus far.
CiteerReview by Alex Henderson
I Thought About You, Christy Baron's first album, demonstrated that a singer doesn't need the massive chops of Dianne Reeves or Dee Dee Bridgewater in order to deliver a convincing jazz vocal date. Instead of going for hard bop or providing a lot of complex, horn-like scatting and vocalese, the Pittsburgh native favors a light and melodic approach that is best described as "acoustic jazz with R&B and pop elements." One of the things that makes the CD successful is the fact that Baron doesn't bite off more than she can chew -- though soulful and capable of depth, someone with as sweet and youthful a voice as Baron probably wouldn't have been very convincing on Billy Strayhorn's world-weary "Lush Life." But the singer shows how tasteful an interpreter of lyrics she can be on selections ranging from the standards "Night and Day" and "Body and Soul" to no less than three Stevie Wonder pearls: "Summer Soft," "Knocks Me off My Feet" and "If It's Magic." And her performance of Noel Brasil's "Columbus" is simply gorgeous. Thankfully, Baron realizes that great popular music didn't die with Cole Porter, and her ability to find the jazz potential in songs by the Beatles ("Got to Get You Into My Life"), Bill Withers ("Ain't No Sunshine") and Wonder is a major asset. Though not well-known, I Thought About You indicated that Baron was someone to keep an eye on.
CiteerReview by Steve Huey
Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy originals -- the jarring Monk tribute "Hat and Beard," the aptly titled "Something Sweet, Something Tender," the weirdly jaunty flute showcase "Gazzelloni," the militaristic title track, the drunken lurch of "Straight Up and Down" -- were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. Much has been written about Dolphy's odd time signatures, wide-interval leaps, and flirtations with atonality. And those preoccupations reach their peak on Out to Lunch, which is less rooted in bop tradition than anything Dolphy had ever done. But that sort of analytical description simply doesn't do justice to the utterly alien effect of the album's jagged soundscapes. Dolphy uses those pet devices for their evocative power and unnerving hints of dementia, not some abstract intellectual exercise. His solos and themes aren't just angular and dissonant -- they're hugely so, with a definite playfulness that becomes more apparent with every listen. The whole ensemble -- trumpeter Freddie Hubbard, vibist Bobby Hutcherson, bassist Richard Davis, and drummer Tony Williams -- takes full advantage of the freedom Dolphy offers, but special mention has to be made of Hutcherson, who has fully perfected his pianoless accompaniment technique. His creepy, floating chords and quick stabs of dissonance anchor the album's texture, and he punctuates the soloists' lines at the least expected times, suggesting completely different pulses. Meanwhile, Dolphy's stuttering vocal-like effects and oddly placed pauses often make his bass clarinet lines sound like they're tripping over themselves. Just as the title Out to Lunch suggests, this is music that sounds like nothing so much as a mad gleam in its creator's eyes.
Citaat van: Maurice op januari 19, 2009, 22:09:07Zal eens online bij dat kleine cd zaakje in Arnhem kijken. :roll:
Net:
Christy Baron ~ I thought About You
(http://image.allmusic.com/00/amg/cov200/drc800/c857/c85749502th.jpg)
@Paul: is denk ik ook wel wat voor jou ;)
Citaat van: Paul op januari 19, 2009, 22:10:37:yes: :yes: :yes:
Mevrouw Barber komt regelmatig op de koffie. :-D :lol: :wink: :yes:
Citaat van: Paul op januari 19, 2009, 22:12:38Haar 2e cd Steppin' is ook goed, maar dat moet je dan wel liggen. Is een aparte mix met/van pop muziek. 3e album kan mij minder bekoren.
Zal eens online bij dat kleine cd zaakje in Arnhem kijken. :roll:
Citaat van: Paul op februari 02, 2009, 21:10:33
(http://i40.tinypic.com/1fzbdx.jpg)
Citaat van: WimPeu op februari 11, 2009, 22:57:45
Anouk - Live At Gelredome DVD
Toch echt wel knap met zo'n jonge onervaren band zo'n show. notworthy
(http://www.hln.be/static/FOTO/pe/5/6/2/art_large_444947.jpg)
Citaat van: BernHardN op februari 12, 2009, 13:18:15Genesis, mijn grote jeugdliefde! notworthy Mijn neef liet me laatst een SACD-box met de eerste vijf albums van Genesis horen. Ik hoorde dingen die ik nog nooit gehoord had. :-o
nu in de DV17
Genesis, in the beginning
(http://images-cache.cd-wow.com/STM/1950000/1946448.jpg)
Citaat van: Mexicaanse Hond op februari 12, 2009, 17:31:34
Genesis, mijn grote jeugdliefde! notworthy Mijn neef liet me laatst een SACD-box met de eerste vijf albums van Genesis horen. Ik hoorde dingen die ik nog nooit gehoord had. :-o
Citaat van: WimPeu op februari 11, 2009, 22:57:45Ik was er ook bij, en deel de mening dat het een superconcert was :yes:
Anouk - Live At Gelredome DVD
Toch echt wel knap met zo'n jonge onervaren band zo'n show. notworthy
(http://www.hln.be/static/FOTO/pe/5/6/2/art_large_444947.jpg)
Citaat van: MadVillain op februari 16, 2009, 20:09:06
Toots And The Maytals - 54-46 was my number
Om in het Bob Marley stijltje te blijven :mrgreen:
Citaat van: WimPeu op februari 18, 2009, 20:23:05
U2 - No Line On The Horizon (320k) :-D Giel Beelen denkt dat ie een speciaal netwerk heeft ofzo en dat hij exclusief dit spul heeft. In 2 seconden gevonden en in 3 minuten binnen. clown1 Koop hem later wel even!! Nu eerst weer luisteren!!
(http://www.u2.com/site_highlights/images/517_main1.jpg)
Citaat van: Paul op februari 18, 2009, 20:37:45Ik kijk nu naar NEC-HSV. :wav:
Ik kijk (keek) naar de laatste posting van de Mexicaanse hond. :-D :wink: clown1
Citaat van: Mexicaanse Hond op februari 18, 2009, 20:50:35Maar dan wel zonder de arrogante Rachid Bouaouzan, die mag nu z,n best in het 2e gaan doen. :-D
Ik kijk nu naar NEC-HSV. :wav:
Citaat van: Mexicaanse Hond op februari 16, 2009, 17:41:13heerlijk album :yes:
Babylon by bus van Bob Marley om een beetje in zomerse sferen te komen, want wat is het een somber en regenachtig ***weer. :roll:
Citaat van: Paul op februari 18, 2009, 21:00:07Wat heeft 'ie gedaan dan?
Maar dan wel zonder de arrogante Rachid Bouaouzan, die mag nu z,n best in het 2e gaan doen. :-D
Citaat van: Maurice op februari 18, 2009, 21:13:48Mijn vrouw heeft 'm ook op LP. Maar eens een A/B-vergelijking houden als de MF A1 FE gemaakt is. Gaat morgen naar AudioService in Elst.
heerlijk album :yes:
Heb deze zelf op LP, gauw maar weer eens na laten kijken dat ding nopompom dan kan ik er weer snel van genieten!
Citaat van: Mexicaanse Hond op februari 18, 2009, 21:19:04Misschien mijn platendraaiert binnenkort ook eens heenbrengen. Bij voorkeur gaat deze naar Sneek, maar Elst is wel dichterbij Arnhem.
Mijn vrouw heeft 'm ook op LP. Maar eens een A/B-vergelijking houden als de MF A1 FE gemaakt is. Gaat morgen naar AudioService in Elst.
Citaat van: Maurice op februari 18, 2009, 21:27:57Zit er in Sneek dan een specialist op het gebied van draaitafels?
Misschien mijn platendraaiert binnenkort ook eens heenbrengen. Bij voorkeur gaat deze naar Sneek, maar Elst is wel dichterbij Arnhem.
Citaat van: Mexicaanse Hond op februari 18, 2009, 21:47:00Jep, namelijk Audioselectief (Henk, op enkele fora ook wel bekend als HAudio).
Zit er in Sneek dan een specialist op het gebied van draaitafels?
Citaat van: Stadium III op februari 21, 2009, 09:53:28ZET 'M 'S WAT ZACHTER MAN, IK HOOR HET HIER HELEMAAL. :-P
WHITESNAKE WHITESNAKE WHITESNAKE !!!!!
Citaat van: BernHardN op februari 16, 2009, 10:00:32
had voor m'n schoonvader (68!) Within Temptatoin HB gedownload, live met het metropole orkest dacht ik.
is wel leuk om eens te zien.
maar verder ook niet..........
Citaat van: Mexicaanse Hond op februari 25, 2009, 12:02:54
Ik zit de DVD Do you wanna Rock & Roll van CCR-Revival te kijken/luisteren. Vooral de drummer van de band heeft mijn bijzondere belangstelling. Het schijnt dat hij vroeger nog studiowerk voor Britney Spears heeft gedaan. :wink:
Edit: lekkere meiden die auto's wassen! HB Maarreh, lekkurruh muziek! :yes: HB
Citaat van: MadVillain op februari 27, 2009, 00:03:52Ik ben meer liefhebber van Queensryche,Savatage,Nevermore,Anihilator,en uiteraard Dreamtheater HB,natuurlijk staat er veel meer op mijn lijstje maar daar kan ik niet even op komen.
Ik had begrepen dat je ook een Tool liefhebber bent.
Maar heb je als rock/metal liefhebber nog wat aanraders die op eenzelfde lijn liggen met Tool? Of zijn ze "one of a kind"? Ik hou voornamelijk van dat hypnotiserende (aparte ritmes) wat ze veel doen. En dan bedoel ik vooral 10.00 days en Lataralus
alvast bedankt!
Citaat van: Maurice op maart 04, 2009, 20:30:36Die gaat ook nooit vervelen. Helemaal niet zulke ingewikkelde muziek, maar wat een samenspel. :kwijl:
Zonet maar even de ultieme klassieker Miles Davis ~ Kind of Blue opgezet ;)
Citaat van: MadVillain op maart 04, 2009, 22:02:29
Hahaha, ook al Miles Davis gedraait. Mijn cd is al helemaal grijs :lol:
Citaat van: bramdg op maart 04, 2009, 22:16:26
Mijn cd begon er ook al erg kind of grey uit te zien ....heb dan maar onlangs
de " Kind of Blue 50th anniversary edition" gekocht
genoeg blue (2cd dvd vinyl) dat minder snel grey zal worden .... hoop ik :-D
Citaat van: MadVillain op maart 04, 2009, 22:57:11
De dvd is een live opname van kind of blue?
Citaat van: Mexicaanse Hond op maart 08, 2009, 18:28:28
Avalon Sunset van Van Morrison
Citaat van: Maurice op maart 09, 2009, 20:16:02
NU: Ayreon met The Human Equation HB
Citaat van: WimPeu op maart 09, 2009, 21:26:30:yes:
Is dat niet met die gozer van Vengeance???
Citaat van: WimPeu op maart 18, 2009, 20:07:30Jeugdsentiment. :yes:
Supertramp - Crime Of The Century!! :-D
Citaat van: Mexicaanse Hond op april 04, 2009, 13:43:07
......., Hans Eijkenaar - drum.
Citaat van: WimPeu op april 04, 2009, 14:23:46Ja, het is een muzikale veelvraat. Het zou me niets verbazen als hij ook studiowerk voor Britney Spears heeft gedaan.
Ook bekend van zijn werk met...jawel de Dolly Dots en Anouk..... :-D
Citaat van: Cesar op april 06, 2009, 22:19:05Mooie muziek. :yes: Laatst ook weer eens wat van David Sylvian gedraaid. Ook zo mooi. :yes:
Japan - Oil on Canvas 8-)
Citaat van: Paul op april 08, 2009, 20:36:09
(http://i41.tinypic.com/29v1bud.jpg)
En Edwin - naar aanleiding van je vraag - deze cd is de moeite waard om in je collectie te hebben. :wink: HB
Citaat van: HiFi gek op april 11, 2009, 22:09:01Edwin je hebt smaak, niet zo raar na vorige week. :roll: :yes:
Ik draaide nu net
Patricia Barber -- Companion SACD
Patricia Barber -- Verse SACD
Groeten EDWIN B
Citaat van: Paul op april 11, 2009, 22:12:46
Edwin je hebt smaak, niet zo raar na vorige week. :roll: :yes:
Citaat van: Mexicaanse Hond op april 25, 2009, 18:34:46
Ok computer van Radiohead
Citaat van: WimPeu op april 25, 2009, 20:57:51Bedankt voor je warme belangstelling en medeleven. Ik overweeg je in mijn testament op te nemen. :-P
Ik heb het met je te doen hoor.... :yes: Het komt allemaal wel weer goed! :-D
Citaat van: Mexicaanse Hond op april 09, 2009, 08:34:29'k Heb 'm van het net geplukt. Vroeger heb ik 'm op elpee gehad, maar die is gestolen op de middelbare school samen met wat andere platen.
Heeft iemand hier toevallig Romantic Warrior van Return to Forever?
Citaat van: WimPeu op mei 07, 2009, 16:06:15
Cuby & The Blizzards - Cat's Lost
Lekkere Blues cd van good old Harry Muskee. Ik heb in mijn Assen tijd menig maal een biertje met hem gedronken in zijn stam kroeg "De Witte Bal". No nonsens man, no nonsens muziek. Heerlijk (op zijn tijd :-D). Mooie produktie van onze andere Drentse trots Daniel Lohues. Oh ja de Corbijn hoes is eigenlijk ook best wel erg mooi.
(http://www.dekleinekomedie.nl/cms_files/Image/catslost.jpg)
Citaat van: Stadium III op mei 09, 2009, 12:47:34
Roger waters: comfortably numb !
Citaat van: Totofan op mei 17, 2009, 09:16:40
Ik heb nu Saxon - Crusader op staan, lekker zo op de zondag ochtend HB HB HB
Citaat van: WimPeu op mei 17, 2009, 09:45:26
Jij durft... :-D
Ik luister nu naar jouw fav nl Toto - mindfields. (met de squeezebox natuurlijk)
Citaat van: marvin op juni 06, 2009, 12:11:29
The Dutch swing college band - 20 jaar.
(nogal fijne Jazz).
Citaat van: Dennis E36 op juni 06, 2009, 18:53:25
(http://store.acousticsounds.com/images/as60gif/BNC-5004LG.jpg)
Blijft een lekker album
Citaat van: Dennis E36 op juni 06, 2009, 18:53:25
(http://store.acousticsounds.com/images/as60gif/BNC-5004LG.jpg)
Blijft een lekker album
Citaat van: Mexicaanse Hond op juni 27, 2009, 17:14:30
Thriller van Michael Jackson en guess what: Michael is alive! :-P
Citaat van: WimPeu op juli 11, 2009, 16:13:02Lees het nu net Wim is het wat deze cd, bedoel liggen de hunnebedden daar in Drente nog op hun plek ? :-D :schater: clown1
Vandaag gekocht en ben er nu even voor gaan zitten.
Dream Theater - Black Clouds and Silver Linings (3 Disc set)
(http://www.dreamtheater.net/covers/bcsl_big.jpg)
Citaat van: Paul op juli 19, 2009, 16:44:25
Lees het nu net Wim is het wat deze cd, bedoel liggen de hunnebedden daar in Drente nog op hun plek ? :-D :schater: clown1
Citaat van: Paul op juli 19, 2009, 16:15:44
(http://i32.tinypic.com/2zoyly0.jpg)
Citaat van: WimPeu op juli 19, 2009, 17:09:21Covers is meestal een gebrek aan inspiratie maar Marco heeft mij destijds met DT kennis leren maken.
Ik weet niet wat jouw smaak is kwa muziek maar ik al DT liefhebber geniet weer met volle teugen.
Een 3 CD set met 1- een nieuwe cd, 2- een cd met covers van Rainbow, Queen, The Dixie Dregs, Zebra, King Crimson en Iron Maiden en cd 3- met de hele cd nogmaals maar dan instrumentaal.
Kijk dat zijn nou cd's waar ik voor naar de winkel ga ipv hem te pindakazen. :-D
Het is natuurlijk Dream Theater dan weet je wat je mag verwachten. Produktioneel is het iig weer de 'Dik Voormekaar Show' :-D
Citaat van: Paul op juli 19, 2009, 17:19:07
Covers is meestal een gebrek aan inspiratie...
Citaat van: Roland65 op juli 26, 2009, 17:01:29Helemaal juist, hoewel Phil bekender is kan ik de muziek van Tony Banks ook wel waarderen.
Da's nie zo moeilijk en ik ben toch echt geen kenner.
Het antwoord is Genesis.
Altijd al benieuwd geweest naar de solo projecten van de heren.
Het werk van Phil Collins kennen we natuurlijk allemaal wel, maar wat Tony nou gedaan heeft?
Is het wat?
In ieder geval, draai ze (om) en veel luister plezier!
Citaat van: Roland65 op juli 27, 2009, 00:45:34Heb geprobeerd een vergelijk te maken maar door een defect of slijtage in de schakelaars van de phono pre is dit redelijkerwijs niet mogelijk.
Maar waar is de muziek van Banks mee te vergelijken?
Oude Genesis of totaal anders?
Citaat van: Roland65 op juli 27, 2009, 20:03:07Ronald zal het ff uitleggen, het is een vintage set dus kan onmogelijk nog een garantie kwestie zijn. :wink:
ik bedoelde eigenlijk niet technisch, maar inhoudelijk :-(
ben wel benieuwd hoe Marantz op je claim gaat reageren
Citaat van: Roland65 op juli 27, 2009, 20:03:07
ik bedoelde eigenlijk niet technisch, maar inhoudelijk :-(
ben wel benieuwd hoe Marantz op je claim gaat reageren
Citaat van: SB_Marantz op juli 28, 2009, 20:11:59
Deze voorversterker stamt uit 1979 Roland.
Ik ga het binnenkort voor Paul oplossen.
Schakelaar en de 2 stappenschakelaartjes eruit halen en ultrasoon reinigen.
Verder nog even het betreffende phonotrapje nalopen mocht dat nodig zijn.
CiteerBiography by Gregory Heaney
Drawn together by a shared love of metal and prog rock, Riverside were founded in 2001 in Warsaw, Poland, by Mariusz Duda (vocals, bass, guitar), Piotr Grudzinski (guitar), Piotr Kozieradzki (drums), and Jacek Melnicki (keyboards). The quartet members intended to use their backgrounds in metal to explore new territory in prog rock along the lines Dream Theater and Tool, creating spacious and experimental music with a metal edge. Even before their first record was finished, Riverside began to experience creative differences, with Melnicki (who was later replaced by current keyboard player Michal Lapaj) splitting from the group to pursue his own studio projects in 2003. Later that year, the band issued its full-length debut, Out of Myself, which was released the following year in the U.S. on Laser's Edge. After the success of their first record, the bandmembers got back to work on new material. In 2005 they released the EP Voices in My Head, gaining the attention of InsideOut, which released their second album, Second Life Syndrome, later that year. In 2007, after a European tour in support of Dream Theater, the group released Rapid Eye Movement. In 2009 they put out another studio record, Anno Domini High Definition (on Mystic Productions), which quickly became the best-selling record in Poland.
CiteerReview by Rick Anderson
Pianist and singer Patricia Barber's second album (and major-label debut) is a consistently interesting, but not always completely rewarding, array of original instrumentals, vocal standards, and surprise cover versions. The arrangement of "Summertime" that opens the program is eerie almost to the point of creepiness, and all the more effective for it: after a long instrumental prelude, Barber sings the lyrics over the most minimal bass-and-piano unison pedal point, her voice goosed with reverb and wailing softly like a ghost. "Subway Station #5," the original composition that follows, is nervous, jumpy, barely tonal, and moves niftily from a contrapuntal and polyrhythmic introduction into a straight swing section. The problem is that it lasts almost ten minutes, and by the seventh or eighth minute, its ideas seem pretty well played out. "Or Not to Be" and "Yet Another in a Long Series of Yellow Cars" suffer from similar treatment. But her singing on "You Stepped Out of a Dream" and, especially, her sweet and touching rendition of the soul classic "My Girl" are quietly spectacular. There's every reason to expect great things of her in the future.
Citaat van: Maurice op augustus 17, 2009, 22:56:36
NU:
Patricia Barber: a distortion of love
Dit is haar debuut album, en zeker de moeite waard! (van het weekend voor 7,99 gekocht
(http://image.allmusic.com/00/amg/cov200/drf500/f543/f54364r9k0d.jpg)
Citaat van: joep op augustus 17, 2009, 19:49:48
Ik weet dat dit hier moet staan, maar het is wel een vast onderdeel van mijn set geworden.
Ieder zijn smaak van muziek, maar dit overtreft voor mij echt alles.
(http://1.bp.blogspot.com/_EpC1K6KZzNA/Rmbx87zxmKI/AAAAAAAAFuY/kpXaZNPdH_Y/s400/c71a224128a06b21f8eb9010.L.jpg)
als sacd
Citaat van: joep op augustus 19, 2009, 10:58:02
Hier staan alle top nummers op. Live opname waarop Roger Waters nu erg volwassen muziek maakt. Ook de Pink Floyd nummers van vroeger The Wall, Time, Mony maar ook de nummers welke hij nimmer met Pink Floyd te gehore heeft gebracht. Ook technisch een top opname. Ik durf hem iedereen aan te bevelen, hoewel er nummers op staan die je echt vaker moet horen om te waarderen.
Citaat van: Paul op augustus 20, 2009, 22:39:15Jep, elke 16-18 minuten de kant omdraaien, totaal ca 45 minuten aan muziek.
Is wel snel afgelopen zo,n lp t.o.v. een cd. :roll:
Vinyl is weer in opmars, nog ff en je kan er een apart draadje voor starten.
Citaat van: Maurice op augustus 20, 2009, 22:41:23En vergeet de knosti niet, kleine wasjes....grote wasjes... :mrgreen:
Jep, elke 16-18 minuten de kant omdraaien, totaal ca 45 minuten aan muziek.
Was afgelopen zaterdag bij Kroese binnen, hebben inmiddels toch wel weer redelijk wat actuele muziek op LP staan.
Citaat van: Paul op augustus 20, 2009, 22:43:48Staat nog op zolder ;)
En vergeet de knosti niet, kleine wasjes....grote wasjes... :mrgreen:
Citaat van: Maurice op augustus 20, 2009, 22:45:14Was weer lekker. Nummer Feathers is echt meesterlijk hello
Staat nog op zolder ;)
Inmiddels staat ook Out There op, wat heb ik die gemist zeg HB
Denk wel Dolphy's beste album :yes:
Citaat van: Maurice op augustus 20, 2009, 23:34:04Damn, wat is de Count Of Tuscany een lekker nummer zeg notworthy
Was weer lekker. Nummer Feathers is echt meesterlijk hello
Nu: Dream Theater met Black Cloudes & Silver Linings (ook op LP). Bas blijft nog wat achter, maar ja, nog inspelen, hopelijk wordt dit beter. Gitaar op Best Of Times is echt supurb!
Citaat van: Maurice op augustus 20, 2009, 23:55:34Doe eens rustig..dadelijk kan je weer naar Sneek voor een retrip. :-D :schater: clown1
Damn, wat is de Count Of Tuscany een lekker nummer zeg notworthy
Zoals de Teletubbies zeggen.....
Citaat van: Paul op augustus 21, 2009, 00:06:05Nou vooruit, dan ga ik nu maar slapen :-D
Doe eens rustig..dadelijk kan je weer naar Sneek voor een retrip. :-D :schater: clown1
CiteerReview by Eduardo Rivadavia
After finally running out their 13-year, seven-plus album deal with a poisonously indifferent Atlantic Records via 2005's workmanlike Octavarium, progressive metal standard bearers Dream Theater took advantage of their well earned free agent status to enjoy a heated courtship from several interested labels, before eventually settling on the artistically simpatico Roadrunner. But, ironically, Dream Theater's first album for the label that heavy metal built, 2007's Systematic Chaos, was relatively accessible by the group's standards, complementing every epic and complex composition with a comparatively concise and hooky song, thus leaving it to its 2009 successor, Black Clouds & Silver Linings, to really flex the band's progressive metal muscles to their maximum girth. And in fact, Dream Theater's tenth long-player is about as dense and challenging as any album in their daunting discography (and certainly the darkest of spirit since 2003's Train of Thought), by emphasizing not only the virtuoso members' ever stupefying musicianship, but also their most aggressive and thoroughly metallic songwriting tendencies. Sixteen-minute opener "A Nightmare to Remember" and its half-as-long follow-up, "A Rite of Passage" (later edited further for release as the album's first single), quickly establish this agenda via frequently thrash-paced staccato riffing, some of John Petrucci's most blistering guitar solos ever, and the return of drummer Mike Portnoy's syncopated growls (no doubt inspired by his pal Mikael Åkerfeldt of Opeth), providing contrast for singer James LaBrie's soaring melodic elegance. Third track "Whither" — a tender ballad and mere babe at five minutes in length — is this album's only concession to commerce (and one of Dream Theater's better stabs at the form it is, too); but after that it's right back to prog rock in excelsis, via the final chapter in the band's "AA Saga," "The Shattered Fortress," which references songs from previous albums such as "The Glass Prison" and "The Root of All Evil," in emulation of the "Conceptual Continuity Clues" method favored by one of Portnoy's heroes, Frank Zappa. Only two, not surprisingly massive song suites remain now, and interestingly, both pay evident tribute to Rush! First up, "The Best of Times" boasts an extremely Alex Lifeson-like lead guitar motif and verse chords that were clearly evolved from "The Spirit of Radio," later showcasing the most versatile and classically steeped performance on this record by keyboard wizard Jordan Rudess. Second, the revealingly named "The Count of Tuscany" (surely a thinly veiled allusion to the Rush's famed instrumental, "La Villa Strangiato") catches Portnoy in the act of outright Neil Peart worship, colluding with Petrucci on their own version of "Xanadu" before leading their bandmates into another heady prog-metal magnum opus brimming with more ideas, notes, and time changes over 19 minutes than most bands bother with over a ten album career. That last bit sound at all familiar? That's because, at the end of the day, one must admit that Black Clouds & Silver Linings, for all its abundantly positive qualities and minor but clear distinctions from prior efforts, is still an archetypal Dream Theater album; one that's unlikely to broaden their audience all that much, but is conversely guaranteed to thrill their hardcore converts with its renewed devotion to the most exigent and stimulating facets of the band's chosen musical domain.
Citaat van: Maurice op augustus 21, 2009, 20:57:12
Wederom Dream Theater ~ Black Clouds & Silver Linings op LP. Echt meesterlijk goed notworthy
Voor degenen die het niet kennen:
(http://image.allmusic.com/00/amg/cov200/drm500/m528/m52899tt0cb.jpg)
Citaat van: Totofan op augustus 22, 2009, 17:33:19Misschien dat ik binnenkort weer een keer een meet en greet hier doe ;)
Ik moet deze cd een dezer dagen maar eens gaan luisteren in de CD zaak.
Citaat van: Paul op augustus 23, 2009, 22:03:21
(http://i26.tinypic.com/19w8pe.jpg)
Citaat van: gerard op augustus 26, 2009, 22:00:57HB HB HB HB
En ff een stukje "chaos van dreamtheater" er achteraan om weer wakker te worden :-D
Citaat van: joep op september 02, 2009, 21:25:37
Concerto for clarinet door W.A. Mozart. Niet zo moeilijk hij heeft er maar één voor clarinet geschreven.
Citaat van: MadVillain op september 03, 2009, 00:06:03
Vandaag Tangerine Dream ontdekt....
Lekkere muziek. Vooral hun oudere werk, ook hun Flower Power achtige stijl :DMaar wat mij het meeste aanspreekt is toch het electronische spul
CiteerReview by Thom Jurek
Sweden's Therion have been lauded the world over, just about, for their wildly influential and experimental symphonic heavy metal; it incorporates not only classical ambitions and arrangements, but the integration of European folk and even industrial elementals into their sound. Add to this guitarist, songwriter and conceptualist Christofer Johnsson and (non)performing scholar/lyricist Thomas Karlsson's collective studied knowledge of myths, arcane occult knowledge, and folklore from around the globe (East of the Atlantic anyway) and you have the very beginnings of Therion's reach and command of artful heavy music. Johnsson added an opera singer (and now two) a couple of years back to bring life to his simultaneously pretentious and operatic vision of a quadrology of Nordic myth that began with Secret of the Runes, continued in the simultaneously issued Sirius B and Lemuria, and sees its grand -- and oh is it grand -- finale in Gothic Kaballah, the most righteous vision of excess heavy metal has ever seen.Gothic Kaballah is a double disc -- by an eight-member strong Therion -- with help from friends (one of whom is organist Ken Hensley, formerly of Uriah Heep). It is the epitome of conceptually oriented symphonic metal. It brings together melodies from the West and the East. Its orchestrations are lavish, but the attack is heavier than Odin's wrath -- check "T.O.F. The Trinity" on disc two for a small but punishing bit of evidence of the magical menace found there. Produced by the band and Mats Levén -- who also co-wrote music, played guitar and is featured on lead vocals a great deal of the time -- Gothic Kaballah makes no concessions except one: for the very first time, the band has written and sung in English. But perhaps that's no concession at all considering Americans are the only nationality who hasn't grasped the ragged glory and rugged power of Therion: as a colleague puts it complimentarily, they are the Meat Loaf of metal. The reference is the sheer wide-ranging grandeur in composition, performance, production and execution in their work. They do everything big. This is rock with a big "R." It transcends the metal genre though it is certainly a heavy metal record but it moves territorially into prog rock as well, but a prog rock that's easy to get next to. The tempo and key changes have been part of the Therion compositional mode for a long time, but here the transitions are seamless even as the traditional metal elements remain heavier than the burden of the gods. The album's story is one of intense literary scrutiny, critical investigation, and dramatic pyrotechnics. Richard Wagner would have been proud to write for Therion. Their excesses were his own: dynamics in drama for the sake of moving a story through its paces, revealing secrets, horrors, and promises and revelations of what preceded and proceeds from the Judeo-Christian apocalypse. Therion ascend the staircase of the gods on Gothic Kaballah and tells them to bring it on, while simultaneously acknowledging their ferocity, glory and power.
As the crackling guitar and bass riffs open "Die Mitternachslöwe" on disc one, and keyboards and blastbeats enter with sinister force, a soprano sings "In the end of time, in times of revelation/Lion from the north will appear in a dark nation..." Petter Karlsson and Levén add a chorus to further the tale "...Read the forecast/fear the eagle/See the wonders, trust the lion/Read the prophecy, the savior of midnight..." without a trace of irony; guitars play in counterpoint then a single bass chord carries the menacing tension until the tune ends. The listener has entered the netherworld of Gothic Kaballah, where light shines through punishing guitar forms, a murky smoke and mirror-adorned cave of fact and fiction, elliptical storytelling, pronounced thematics, changing keyboards and introductions and disappearances of characters from gods to animals to mortals and sprites of every stripe. Oh yeah, there are numerous killer dual guitar leads to top it all off. The title track, with its low-tuned guitars and basses playing in sharp counterpoint, ushers in sledgehammer cadences that Metallica could never have imagined, let alone pulled off, and they give way to folk melodies -- that really are melodies -- and booming tom toms that offer the melding of tribal expression, gritty keyboard sounds, and classically oriented harmonics. The way the story is told and the different musical landscapes used to move it along offer the argument that Therion have created the first great rock opera of the 21st century. Not that you have to pay attention to the narrative to appreciate it: this is the metal that disappeared aboveground in the U.S. a decade or more ago.
Gothic Kaballah is the first shot from the Therion canon on the American market in earnest. Aimed squarely for the Yankee heart, it conquers with theater, menace and above all a stellar Nordic stoicism which rebels while it assumes the mantle of control. Currently there is no one on the scene that can come close to Therion's ambition or ability ( the conviction, spiritual devotion, and maniacal pummel in "The Perennial Sophia" or "Son of the Staves of Time" should shut up all but the most cynical metalheads). Therion have the money, the promotion, the chops, and the sheer vision to make this happen without a smirk or a nod to kitsch. This is the right introduction for America (though all their records are available here); those who come to Gothic Kaballah as their first taste of this band would do well to pick up the rest of the quadrology and listen in order. Gothic Kaballah is brilliant, disturbing, grandiose and very listenable -- those who thought metal was for knuckleheads and the ignorant should pay heed and give this baby a spin. It possesses both bone-riffing thud and bell-ringing clarity, orchestral strings and bass throbs that sends the dials spinning into the red. It is destined to be a classic. This is Euro-metal at its zenith; it moves the entire heavy metal universe a giant leap forward. It may be early in 2007, but already Gothic Kaballah is the gold standard to beat.
CiteerReview by Jason Hundey
After the mildly disappointing Alternative 4, Anathema strikes back with Judgement. Upon first listen, the music and message seem a bit mellow for these doomy metal moguls. Second listen is like a magical rediscovery of a lost art form, the art of creating simple, depressing hard rock that is so emotionally expressive that it bends one's own constitution. Quiet and introspective on songs like "One Last Goodbye" and "Anyone, Anywhere," Anathema has the ability to spew forth raw, volcanic pain on cuts like "Judgement" and "Pitiless" -- the last of which contains the most heart-wrenching solo the Cavanagh brothers have ever penned. Drummer John Douglas also surprises, making an amazing contribution to the album, by writing two of the most memorable songs, "Don't Look Too Far" and "Wings of God." The first is a gorgeous Porcupine Tree-like tune with somewhat upbeat female vocals and melodies. "Wings of God," on the other hand, seems to be a literal interpretation of the album cover, which appears to be God's blinding eye looking down upon the cursed world. One will be amazed at how unconventionally heavy this album really is. It even has a tendency to sap one's strength, upon repeated encounters. Judgement is truly a blinding masterpiece, which pierces the senses with its intensity. Hail Anathema's sorrowful return!
Citaat van: MadVillain op september 07, 2009, 23:46:26Nope nog niet :no:
@Maurice:
Ook al eens Tool geprobeert te beluisteren?
Artist
Lunatic Soul
Album
Lunatic Soul
Release Date
Oct 13, 2008
Recording Date
Jan 2008-Jul 2008
Label
K Scope
Genre
Styles
* Pop/Rock
* Neo-Prog
* Experimental Rock
* Ambient Pop
Moods
Themes
* Yearning
* Wistful
* Trippy
* Sophisticated
* Searching
* Reserved
* Nocturnal
* Laid-Back/ Mellow
* Intimate
* Hypnotic
* Ethereal
* Elegant
* Eerie
* Dreamy
* Detached
* Cerebral
* Atmospheric
* The Creative Side
* Solitude
* Relaxation
* Reflection
* Late Night
CiteerReview by Scott Yanow
This is the most controversial of all Billie Holiday records. Lady Day herself said that this session (which finds her accompanied by Ray Ellis' string orchestra) was her personal favorite, and many listeners have found her emotional versions of such songs as "I'm a Fool to Want You," "You Don't Know What Love Is," "Glad to Be Unhappy," and particularly "You've Changed" to be quite touching. But Holiday's voice was essentially gone by 1958, and although not yet 43, she could have passed for 73. Ellis' arrangements do not help, veering close to Muzak; most of this record is very difficult to listen to. Late in life, Holiday expressed the pain of life so effectively that her croaking voice had become almost unbearable to hear. There is certainly a wide range of opinion as to the value of this set. [The 1997 CD reissue adds two alternate takes of "I'm a Fool to Want You," part of which were used for the original released rendition, plus the stereo version of "The End of a Love Affair" (only previously released in mono) and examples of Lady Day rehearsing the latter song, including a long unaccompanied stretch.]
Citaat van: joep op september 02, 2009, 21:25:37Errug mooi!!! Heb ik vroeger zelf nog kunnen spelen! Kostte wel enige tijd om dat concert onder de knie te krijgen...
(http://www.classicalarchives.com/images/coverart/7/c/e/d/724355683250_300.jpg)
Concerto for clarinet door W.A. Mozart. Niet zo moeilijk hij heeft er maar één voor clarinet geschreven.
Citaat van: Tigger op september 09, 2009, 21:42:41Knap :yes: . momenteel luister ik niet zoveel klassiek, ken er eigenlijk ook niet veel.
Errug mooi!!! Heb ik vroeger zelf nog kunnen spelen! Kostte wel enige tijd om dat concert onder de knie te krijgen...
CiteerReview by Jason Hundey
After the mildly disappointing Alternative 4, Anathema strikes back with Judgement. Upon first listen, the music and message seem a bit mellow for these doomy metal moguls. Second listen is like a magical rediscovery of a lost art form, the art of creating simple, depressing hard rock that is so emotionally expressive that it bends one's own constitution. Quiet and introspective on songs like "One Last Goodbye" and "Anyone, Anywhere," Anathema has the ability to spew forth raw, volcanic pain on cuts like "Judgement" and "Pitiless" -- the last of which contains the most heart-wrenching solo the Cavanagh brothers have ever penned. Drummer John Douglas also surprises, making an amazing contribution to the album, by writing two of the most memorable songs, "Don't Look Too Far" and "Wings of God." The first is a gorgeous Porcupine Tree-like tune with somewhat upbeat female vocals and melodies. "Wings of God," on the other hand, seems to be a literal interpretation of the album cover, which appears to be God's blinding eye looking down upon the cursed world. One will be amazed at how unconventionally heavy this album really is. It even has a tendency to sap one's strength, upon repeated encounters. Judgement is truly a blinding masterpiece, which pierces the senses with its intensity. Hail Anathema's sorrowful return!
CiteerReview by Thom Jurek
Three years ago, Liverpool's former power metal act Anathema issued A Fine Day To Exit, a wildly experimental change in direction from their gloriously punishing doom excesses. The set was a lushly produced nod to bands who explored the melodic fringes of dark, futuristic rock & roll -- Radiohead, Coldplay. While it took off from the tempered strategies of Judgement and proved an interesting ride, it ultimately failed to captivate not only the band's faithful, but also to win any new fans; it was lost in its excesses and unclear in its direction. On A Natural Disaster, Anathema looks down the road further, this time glancing back once in awhile to its strengths, and hones its focus. The end result is the quartet's finest outing since Eternity, which it touches upon in its quest for emotionally expressive music that doesn't shun experimentation, with the lush textures of keyboards and spatial ambiences, but embraces them as part of an expansive, gripping, and all-encompassing rock sound. This is the kind of genre-toppling ambition that Radiohead has been seeking to fulfill for a couple of years (how odd that something they inspired is the very thing they cannot seem to grasp) where a marriage between the textures and esthetics of Pink Floyd meet the modern weariness of British Isles melancholy, and the deep melodic richness of after-it's-over pop. "Are You There" with its gorgeous female backing vocals traipsing through Vincent Cavanagh's resigned, yet yearning croon is buoyed by keyboards, mirage-like single string guitar lines, and airy echo chambers, which open onto a vista that is open and broken, where guitars and drums skitter and shimmer in the muggy warmth of its grief-wrenched body. The gurgling electric piano that ushers in "Balance" is merely the warning shot before a thudding drum allows Cavanagh's vocals to soar and swoop -- á la Thom Yorke at his most expressive and unpretentious -- all before a bank of whispering keyboards opens out onto a wail of guitar fury complete with overdriven riffs. The vocoders in "Closer" might be disconcerting for a moment, until they are woven into a braid of ethereally heavy atmospherics where Danny Cavanagh's guitars course through the middle, lifting up everything in their path. The feminine Celtic blues of Leon Douglas on the title track allows the vocalist a languid space in the wondrously silky, yet bleakly seductive din woven by the Cavanagh Brothers' guitars. Simply put, these Liverpudlians know how to make a dark rock album; it's full of alienation, honest emotion, tense, suffocating theater, and stunningly beautiful textures. These are songs of longing, separation, loss, and blissed-out agony, played by a band who have arrived at single-pointed concentration and turn their heaviness inside out, never forsaking it, yet weaving it seamlessly into a new incarnation that would win legions of new "alterna-rock" fans, if the punters were given a chance to hear it. Misery has never sounded this beautiful.
Citaat van: BernHardN op september 21, 2009, 19:50:45
Miles Davis - Ascenseur Pour L'Echafaud
Citaat van: MadVillain op september 21, 2009, 23:10:12Bitches brew vind ik denk ik nog beter dan kind of blue ;)
Kind of Blue heb ik nu honderden keren gespeelt.
Toch maar eens kijken hoe de rest van meneer is.
Bitches brew moet ook erg goed zij. Maar ook erg zware hap. Zelfs met een blowtje op moet die nog moeilijk te verteren zijn :)
Citaat van: marvin op september 29, 2009, 17:37:26
die dvd's vanuit The Royal Albert Hall zijn over het algemeen wel erg goed te noemen.
qua geluid bedoel ik dan, of je de muziek leuk vind kan ik weinig over zeggen... :-D
CiteerBiography by Gregory Heaney
Drawn together by a shared love of metal and prog rock, Riverside were founded in 2001 in Warsaw, Poland, by Mariusz Duda (vocals, bass, guitar), Piotr Grudzinski (guitar), Piotr Kozieradzki (drums), and Jacek Melnicki (keyboards). The quartet members intended to use their backgrounds in metal to explore new territory in prog rock along the lines Dream Theater and Tool, creating spacious and experimental music with a metal edge. Even before their first record was finished, Riverside began to experience creative differences, with Melnicki (who was later replaced by current keyboard player Michal Lapaj) splitting from the group to pursue his own studio projects in 2003. Later that year, the band issued its full-length debut, Out of Myself, which was released the following year in the U.S. on Laser's Edge. After the success of their first record, the bandmembers got back to work on new material. In 2005 they released the EP Voices in My Head, gaining the attention of InsideOut, which released their second album, Second Life Syndrome, later that year. In 2007, after a European tour in support of Dream Theater, the group released Rapid Eye Movement. In 2009 they put out another studio record, Anno Domini High Definition (on Mystic Productions), which quickly became the best-selling record in Poland.
CiteerReview by Thom Jurek
Three years ago, Liverpool's former power metal act Anathema issued A Fine Day To Exit, a wildly experimental change in direction from their gloriously punishing doom excesses. The set was a lushly produced nod to bands who explored the melodic fringes of dark, futuristic rock & roll -- Radiohead, Coldplay. While it took off from the tempered strategies of Judgement and proved an interesting ride, it ultimately failed to captivate not only the band's faithful, but also to win any new fans; it was lost in its excesses and unclear in its direction. On A Natural Disaster, Anathema looks down the road further, this time glancing back once in awhile to its strengths, and hones its focus. The end result is the quartet's finest outing since Eternity, which it touches upon in its quest for emotionally expressive music that doesn't shun experimentation, with the lush textures of keyboards and spatial ambiences, but embraces them as part of an expansive, gripping, and all-encompassing rock sound. This is the kind of genre-toppling ambition that Radiohead has been seeking to fulfill for a couple of years (how odd that something they inspired is the very thing they cannot seem to grasp) where a marriage between the textures and esthetics of Pink Floyd meet the modern weariness of British Isles melancholy, and the deep melodic richness of after-it's-over pop. "Are You There" with its gorgeous female backing vocals traipsing through Vincent Cavanagh's resigned, yet yearning croon is buoyed by keyboards, mirage-like single string guitar lines, and airy echo chambers, which open onto a vista that is open and broken, where guitars and drums skitter and shimmer in the muggy warmth of its grief-wrenched body. The gurgling electric piano that ushers in "Balance" is merely the warning shot before a thudding drum allows Cavanagh's vocals to soar and swoop -- á la Thom Yorke at his most expressive and unpretentious -- all before a bank of whispering keyboards opens out onto a wail of guitar fury complete with overdriven riffs. The vocoders in "Closer" might be disconcerting for a moment, until they are woven into a braid of ethereally heavy atmospherics where Danny Cavanagh's guitars course through the middle, lifting up everything in their path. The feminine Celtic blues of Leon Douglas on the title track allows the vocalist a languid space in the wondrously silky, yet bleakly seductive din woven by the Cavanagh Brothers' guitars. Simply put, these Liverpudlians know how to make a dark rock album; it's full of alienation, honest emotion, tense, suffocating theater, and stunningly beautiful textures. These are songs of longing, separation, loss, and blissed-out agony, played by a band who have arrived at single-pointed concentration and turn their heaviness inside out, never forsaking it, yet weaving it seamlessly into a new incarnation that would win legions of new "alterna-rock" fans, if the punters were given a chance to hear it. Misery has never sounded this beautiful.
Citaat van: Totofan op oktober 05, 2009, 11:05:13
Ik luister nu naar Iron Maiden - Seventh Son Of A Seventh Son HB HB
Citaat van: Stadium III op oktober 05, 2009, 18:44:53
Hij is heel de collectie aan het herontdekken !!! :-D
Citaat van: Totofan op oktober 06, 2009, 09:40:23
Nee nog steeds niet redface redface redface
CiteerReview by Alex Henderson
Hammerfall have had plenty of lineup changes since 1993, and 2009's No Sacrifice, No Victory finds the Swedish headbangers unveiling yet another new lineup. This time, the participants are Joacim Cans on lead vocals, Oscar Dronjak and Pontus Norgren on guitar, Fredrik Larsson on bass, and Anders Johansson on drums; guitarist Stefan Elmgren is gone, and so is bassist Magnus Rosen. But despite all the personnel changes that Hammerfall have experienced along the way, their sound hasn't changed much -- and on No Sacrifice, No Victory, they maintain their 1970s/1980s-based power metal orientation. A title like No Sacrifice, No Victory is as stereotypically power metal as it gets, and larger-than-life offerings such as "Legion," "By Any Means Necessary," and "Punish and Enslave" don't run away from power metal's dungeons-and-dragons stereotypes. In fact, Hammerfall's 2009 lineup enthusiastically embraces those stereotypes -- and while the results are predictable, they are inspired more often than not. No Sacrifice, No Victory's most surprising track is an unexpected cover of the Knack's 1979 hit "My Sharona"; Hammerfall take the song out of new wave and place it in pop-metal of the Kiss/Quiet Riot/Ratt variety. "My Sharona" is the only thing on this 49-minute CD that isn't power metal, and it's an enjoyable departure from the rest of the album. No Sacrifice, No Victory isn't Hammerfall's best or most consistent release, but there are more strong tracks than weak ones -- and many die-hard Hammerfall fans in Europe will no doubt acquire the disc simply because it is by Hammerfall.
Citaat van: Maurice op oktober 08, 2009, 00:28:19
Nu:
Hamerfall - No Sacrifice, No Victory
(http://image.allmusic.com/00/amg/cov200/drm400/m447/m44743op4o1.jpg)
CiteerReview by Heather Phares
Expectations for a project featuring members of the White Stripes, the Raconteurs, the Kills, and Queens of the Stone Age would almost have to run high. After all, these are all bands that find ways to draw on the classic tenets of rock without sounding completely indebted to the past. Yet the Dead Weather -- which combines the talents of Jack White, Jack Lawrence, Alison Mosshart, and Dean Fertita -- aren't so much concerned with living up to expectations as they are about defying them. There's a different kind of alchemy on Horehound than on any of the bandmembers' other projects. Not only does White returns to his first instrument, the drums, he also trades in the high-pitched yelp he uses with the Stripes and Raconteurs for a deeper, at-times unrecognizable, voice on "I Cut Like a Buffalo," the lone Horehound track he wrote by himself. The Dead Weather's sound isn't so much heavy as it is thick with a tense atmosphere that's sustained throughout most of the album, and the group shuns the tighter structures of their other bands for a bluesy, jammy grind. Horehound's opening track, "60 Feet Tall," shows just how explosive this sound can be, from the teasing guitars and percussion that begin it to its lunging climax. Sexual tension is one of the few constants between the Dead Weather and White and Mosshart's other bands, and they use it particularly well on "Hang You from the Heavens" and "Treat Me Like Your Mother," where their vocals and the lyrics "left, right, left, right" suggest a dance, or a fight, or something in between. Despite all the star power in this project, Mosshart's vocals are the main attraction: she snarls, croons, and sighs, displaying all the charisma she has in the Kills plus more nuance. She takes her voice to places she hasn't explored with her main project: "So Far from Your Weapon," which she wrote on her own, boasts an hypnotic groove and an oddly jazzy undercurrent, thanks to her smoky singing and White's rolling drums. Indeed, her voice and White's are usually the loudest elements on the album, with Fertita and Lawrence ably filling in the gaps between the pair's towering presences. Horehound's loose-limbed immediacy often feels like a particularly inspired rehearsal, especially on the cover of Bob Dylan's "New Pony," which gets amped up with huge grungy riffs and shouted backing vocals. This looseness also allows the band to indulge flights of fancy like the instrumental "3 Birds" and "Rocking Horse"'s menacing surf-jazz. However, the Dead Weather's chemistry fizzles on the more unfocused tracks, and as gripping as their sound is, it can get claustrophobic. The songs that break from the pack are among the best. "Bone House" layers programmed and live drums with creepy falsetto vocals and some great guitar work from Fertita, and "Will There Be Enough Water?"'s drifting acoustic blues provides the calm after Horehound's storm. Given the fact that the Dead Weather formed on a whim and recorded these songs in a matter of weeks, Horehound is a compelling album, and one that shows that the band's members bring out the best in each other, albeit in unexpected ways.
Citaat van: marvin op oktober 22, 2009, 14:55:47Lekkere muziek! :yes: Ik heb Tracy Chapman in CD-spelerd zitten. Nou ja, niet haarzelf natuurlijk. clown1
Ella Fitsgerald en Louis Armstrong.
Citaat van: Mexicaanse Hond op oktober 23, 2009, 14:43:21
Ik heb Tracy Chapman in CD-spelerd zitten. Nou ja, niet haarzelf natuurlijk. clown1
Citaat van: Stadium III op oktober 30, 2009, 15:07:08
HammerFall DVD
Citaat van: Totofan op oktober 30, 2009, 14:22:59
AC/DC - THE RAZORS EDGE HB HB HB HB HB
Citaat van: Mexicaanse Hond op november 02, 2009, 11:39:29
Tutu van Miles Davis. Nou ja van Miles Davis, Marcus Miller speelt vrijwel alles. :-D
Citaat van: Bart op november 08, 2009, 13:14:05Heel herkenbaar, teveel noten per minuut. Zelfs bij Miles Davis die het meeste weglaat. :roll:
Dit alles wanneer mijn madam op stap is, ze is niet zo voor dat jazz-achtige :-(
Citaat van: MadVillain op november 10, 2009, 13:09:47Voor de liefhebbers in de buurt van Tilburg: Nils Petter Molvær speelt vanavond in Paradox te Tilburg.
Gisteren:
Eric Clapton - MTV Unplugged <--thx 2 Dennis :D Mooi cdtje
Verschillende nummers van Björk en Nils Petter Molvaer
Citaat van: Mexicaanse Hond op november 13, 2009, 15:48:51Nice notworthy
Bitches Brew Miles Davis
Citaat van: jowa op november 14, 2009, 13:55:33
Laatste album (nog niet op CD) van Skye -Keeping Secrets
Lekkere relaxde muziek met ook goede teksten: http://www.myspace.com/myskyesite
Is wel wat anders dan MadM :-D
Citaat van: Canule op november 14, 2009, 17:51:48
Dat klinkt idd als chille ZINvolle muziek, ff w8en op de release's (helaas voor hun op usenet, koop alleen mijn main muziek, voor de rest FLAC dan wel mp3)
Mind How You Go van Skye @mp3 320kbps staat op usenet (zoek op: Mind How You Go | Skye)
Citaat van: WimPeu op november 15, 2009, 11:28:44
(http://media.musictoday.com/store/bands/1039/product_large/ZPAM02.JPG)
Citaat van: Mexicaanse Hond op november 15, 2009, 20:58:16
Moet ook maar weer eens Shut up 'n play yer guitar draaien. :yes:
Citaat van: WimPeu op november 15, 2009, 21:15:31All you need is lef... :-D En je hoeft ze natuurlijk niet alle drie achter elkaar te draaien. :wink:
Jij hebt wel lef... :-D
Citaat van: MadVillain op november 19, 2009, 15:31:52Dat is lekkere muziek. :yes:
Jamiroquai live @ Verona speelt hier @ werk :D via itunes!
Citaat van: Mexicaanse Hond op november 21, 2009, 16:11:05
Ons kijkt ons van Van Kooten & de Bie, DVD 4 Samen voor ons eigen Jacobse & van Es.
Lekker om de mannen weer eens een tuin winterklaar zien te maken met neutronenkorrels tegen scheurgras. :-D
Citaat van: WimPeu op november 21, 2009, 18:46:36
Geweldig Harry!!! My cup of tea.... :yes:
Ik luister nu weer eens naar good 'ol Iggy. Boeit me ge r**t of het audiofiel is of niet...een beauty is het, zelfs op een Akai set van €50,-.
Iggy Pop - 1993 - American Caesar
(http://4.bp.blogspot.com/_u0nORaf42T8/RirK8C2bxyI/AAAAAAAAABk/Xvs80HrELc0/s320/IggyPopAmericanCaesar.jpg)
Iggy :-D
(http://impala.ibero909.fm/wp-content/uploads/2008/04/3__iggypop1.jpg)
Citaat van: Mexicaanse Hond op november 22, 2009, 21:34:28
Ik sta met Miles in De lift naar het schavot.
Citaat van: bramdg op november 22, 2009, 22:33:25Ik snap de rolleyes niet zo goed. Een :kwijl: had ik gesnapt achter mmm very...of een notworthy, maar :roll: voor Miles Davis' muziek bij de film Lift naar het schavot?
mmm very :roll:
Citaat van: Mexicaanse Hond op november 22, 2009, 22:38:55
Ik snap de rolleyes niet zo goed. Een :kwijl: had ik gesnapt achter mmm very...of een notworthy, maar :roll: voor Miles Davis' muziek bij de film Lift naar het schavot?
Citaat van: bramdg op november 24, 2009, 10:48:27Ooooooh, bedoel je het zooooo. Blijft een lastige die rolleyes, ik gebruik 'm meestal om afkeuring/ongeduld te tonen. :-)
ok 1000 x :kwijl: .... maar men oogjes blijven rollen van plezier bij het horen van Miles :-P
Citaat van: Mexicaanse Hond op november 24, 2009, 10:54:03
Ooooooh, bedoel je het zooooo. Blijft een lastige die rolleyes, ik gebruik 'm meestal om afkeuring/ongeduld te tonen. :-)
Citaat van: bramdg op november 24, 2009, 11:04:47
ja die emicoontjes kunnen raar over komen
I really love Miles :yes: :yes: :yes:
Citaat van: WimPeu op november 29, 2009, 16:16:07
Ik was toe aan
Lou Reed - Berlin pfffffff :wink:
[img][http://images.uulyrics.com/cover/l/lou-reed/album-berlin.jpg/img]
Citaat van: WimPeu op november 29, 2009, 16:33:45Dan kan ik beter meteen Closer van Joy Division op de draaitafel leggen. :-D
Kijk naar het weer Harry, nu of nooit!!! :-D
Citaat van: WimPeu op november 29, 2009, 16:41:56Ik praat niet graag over het weer. :no:
OMG :-o wil je er over praten?
Citaat van: lo op december 06, 2009, 23:17:13
CD: Mephisto&co van Eiji Oue op Reference Recordings.
groet,
lo
Citaat van: WimPeu op december 06, 2009, 23:27:48
Niet echt top 40 werk zeg maar. :-D
Citaat van: Dennis E36 op december 10, 2009, 17:29:25Dit album gebruik ik steevats bij luistersessies / indien ik een onderdeel wil testen.
(http://g-ecx.images-amazon.com/images/G/01/ciu/22/f6/a31c729fd7a0f936c19ae010.L.jpg)
Blijft een geweldig album al zeg ik het zelf :yes: :-D
Citaat van: Mexicaanse Hond op november 29, 2009, 16:36:30
Dan kan ik beter meteen Closer van Joy Division op de draaitafel leggen. :-D
Citaat van: xander32 op december 14, 2009, 16:19:42
Dit album gebruik ik steevats bij luistersessies / indien ik een onderdeel wil testen.
Sander.
Citaat van: xander32 op december 29, 2009, 12:57:39
Lekkere funky muziek: Tower of Power HB.
Sander.
Citaat van: MadVillain op december 29, 2009, 13:40:17Meestal is het stramien 1 uptempo nummer, 1 ballad. De ballads zijn over het algemeen mierzoet, de uptempo nummers lekker funky. Zeker de moeite van het beluisteren waard. :yes:
Daar heb ik ook cd's van liggen, ze zijn wel van m'n vader. Maar nog nooit naar geluisterd
Citaat van: lo op december 29, 2009, 16:01:55Ja - heerlijke muziek he :yes: - ik ben een groot liefhebber van de 2 meter sessies!
Luister nu naar de 3e CD van 3 CD box "het beste van 2 meter sessies 1987-2009" gekocht en gesigneerd door Jan Douwe op de voorbije VAD. Lekker van alles wat recht voor zijn raap zonder ernstige bewerking :-D
Groet,
lo
Citaat van: Mexicaanse Hond op december 29, 2009, 17:02:13
Je moet geloven wat Sander zegt, hoor. Er zitten ook best interessante gesprekken bij. :-P
Citaat van: Marantz 81 op december 29, 2009, 18:06:50
mooi nummer op veronica
lets come togheter in sweet harmonie pompom
Citaat van: Marantz 81 op december 29, 2009, 18:06:50
mooi nummer op veronica
lets come togheter in sweet harmonie pompom
Citaat van: Marantz 81 op december 31, 2009, 18:53:59
lekker dance dc,tje alvast in de stemming komen pompom :-D
Citaat van: Mexicaanse Hond op januari 03, 2010, 21:09:40
Nu bijvoorbeeld Have you ever seen the rain? Creedence Clearwater Revival. Mijn boezemvriend kan dat fantastisch drummen. :yes: :-D
Citaat van: Mexicaanse Hond op januari 03, 2010, 21:09:40
Nu bijvoorbeeld Have you ever seen the rain? Creedence Clearwater Revival. Mijn boezemvriend kan dat fantastisch drummen. :yes: :-D
Citaat van: WimPeu op januari 06, 2010, 18:38:37Ik zet 'm wel op repeat, dan kan de CD ook lekker inspelen. :wink:
Gewoon kopen, heerlijke relaxte cd. Voor in de ochtend,middag, avond en de nacht!! :-D
Citaat van: Marantz 81 op januari 08, 2010, 14:01:35
Veronica
White snake - Here I Go Again HB :-D
Citaat van: Stadium III op januari 08, 2010, 17:51:13Heel erg rock & roll. :-D
Hier hebben we net Finding Nemo gekeken :-D
Citaat van: WimPeu op januari 06, 2010, 18:28:40
Ik blijf dit maar draaien.... notworthy
(http://lh6.ggpht.com/_0SnswnPqILs/SvzGPF89pZI/AAAAAAAAASE/q7gDM06AoQI/00-john_mayer-battle_studies-2009-cd-front_thumb%5B3%5D.jpg)
Citaat van: lo op januari 09, 2010, 17:45:42
Vanmiddag was er eindelijk weer een beetje rust in huis. (badkamer verbouwing) Eindelijk weer op mijn gemak naar een CD-tje geluisterd. Lorena McKennit en de 3e CD (cd box) 2 mtr sessie.
Wat klinkt het toch weer erg goed als je een week bijna niet geluisterd hebt pompom.
Ik realiseer me trouwens regelmatig dat 1 van de beste tweaks, af en toe een wat langere luister pauze is. Daarna klinkt het weer als nieuw.
groet,
lo
Citaat van: lo op januari 09, 2010, 18:26:35
Ik zal morgen even kijken welke CD's ik heb van Lorena. Moet zometeen met heel de familie naar een "douche adres". Tsja in het weekend wil je weer wel fris gewassen zijn na een hele week zonder water :-D (grapje)
Dus ik kom er op terug.
groet,
lo
Citaat van: bramdg op januari 09, 2010, 18:03:41
hallo lo
Ik ken deze artiest niet .....direct opgezocht en klinkt precies wel speciaal
wat kan je me aanbevelen om dit te leren kennen ....(een best of bestaat blijkbaar nog niet)
groetjes
bram
Citaat van: Marantz 81 op januari 10, 2010, 10:55:30lEI sgreiv Je volgens mie met IJ :wink:.
een klassieker :lol:
charles & eddie would i lei to you
Citaat van: xander32 op januari 10, 2010, 10:56:54
lEI sgreiv Je volgens mie met IJ :wink:.
Sander.
Citaat van: Marco op januari 14, 2010, 16:09:26
Iron Fire ,naar mijn mening de moderne Manowar HB
http://www.youtube.com/watch?v=PfIHZSjheoc (http://www.youtube.com/watch?v=PfIHZSjheoc)
(http://3.bp.blogspot.com/_66P8ussx5-s/R6OlgAjxKVI/AAAAAAAABlE/f7BfhyB7eCE/s400/IRON+FIRE+-+REVENGE.jpg)
Citaat van: MadVillain op januari 18, 2010, 00:55:10
Ik heb toch maar weer Sam Cook opstaan. Damn wat is dat toch goed :D
Dadelijk maar ook eens de Storm kijken. Was al erg benieuwd ernaar. Morgen toch vrij :D
Citaat van: mars op januari 18, 2010, 00:42:12
oi,
NU, draai ik ''No Hassle'' van ''Tosca'' <<<<<< je weet wel 1 van die gasten van ''Kruder & Dorfmeister.
Strakkies Gaat ''peace orchestra'' notworthy van '' kruder&dorfmeister'' in cd spinnert.
Citaat van: MadVillain op januari 18, 2010, 00:58:40
Ooooow Kruder & Dorfmeister...altijd lekker! Direct youtube opgezet voor Tosca...En hij staat in mijn itunes verlanglijstje :D
Citaat van: marvin op januari 18, 2010, 02:11:18
nog maar een filmpje,
Smoking Aces 2...
Citaat van: marvin op januari 18, 2010, 15:43:38
Shockers1 cd2 8-)
Citaat van: MadVillain op januari 18, 2010, 18:20:58
Goede cd! Heb hem zelf ook nog. Jammer dat ID&T Shockers als concept heeft laten vallen :( Ik ben nog bij het laatste feest geweest, 2003 alweer.
Citaat van: Dennis E36 op januari 18, 2010, 22:34:38De geluidskwaliteit neem ik aan...
Aangenaam Jazz 2009 :yes:
Op zich een leuke cd, maar de kwaliteit van sommige tracks vind ik bedroevend......
Citaat van: Mexicaanse Hond op januari 18, 2010, 22:41:31
De geluidskwaliteit neem ik aan...
Citaat van: mars op januari 20, 2010, 20:50:23
oi
Van nadere ontwikkelingen houden wij u op de hoogte. clown1
Citaat van: WimPeu op januari 21, 2010, 19:30:01Ik ken hunnie niet redface - wie zij zij(vast van voor mijn tijd :wink:)?
Cool, deze heb ik ook. Oude jeugdliefde. :lol:
Citaat van: WimPeu op januari 21, 2010, 19:30:01Dan is het dus echt old school. :-P
Cool, deze heb ik ook. Oude jeugdliefde. :lol:
Citaat van: marvin op januari 21, 2010, 20:38:18:yes:
zeker weten!
net zoals 'Klootwijk aan zee' , ook erg goed.
Citaat van: Mexicaanse Hond op januari 22, 2010, 09:25:51
MAX - Geheugentrainer, want je kunt niet vroeg genoeg beginnen. Misschien ook maar eens inschrijven voor een bejaardenwoning. :roll:
Citaat van: WimPeu op januari 22, 2010, 09:29:49
:schater:
Ze zien je aankomen met een aanhanger vol lawaai bende..... :-D
Citaat van: WimPeu op januari 22, 2010, 09:27:29
JURK! - Avondjurk
(http://www.stadstheater.nl/cms_files/system/images/img_3603_02.jpg)
Citaat van: Mexicaanse Hond op januari 22, 2010, 09:44:38
Wat is dat voor iets? Ziet er arty-farty uit. :yes:
CiteerJurk!
Jeroen van Koningsbrugge en Dennis van de Ven kennen we (bijna) allemaal van het prachtige, satirische sketchprogramma 'Draadstaal'. In het theater noemt het tweetal zich Jurk!. Hun eerste avondvullende voorstelling 'Avondjurk' is een reis langs het verrukkelijke leven en het hartverscheurende bestaan. Ondersteund door een band maken ze een wandeling langs de liefde, de lach, de lust en het lijden. Het duo leeft zich uit in hilarische sketches, vervreemdende dialogen, ontroerende poëzie en Nederlandstalige liedjes. Van Koningsbrugge en Van de Ven ontmoetten elkaar dertien jaar geleden tijdens de repetities van 'Jesus Christ Superstar'. Na vele omzwervingen klopte de VPRO vier jaar geleden bij hen aan en was ons land 'Draadstaal' rijker, dat aan zijn vierde seizoen begint.
Citaat van: WimPeu op januari 22, 2010, 09:27:29Cool - helemaal mijn ding.
JURK! - Avondjurk
(http://www.stadstheater.nl/cms_files/system/images/img_3603_02.jpg)
Citaat van: Mexicaanse Hond op januari 23, 2010, 09:23:17
De dertigste kan ik het mooi eens met de live sound vergelijken.
Citaat van: marvin op januari 23, 2010, 09:25:42ik ook niet, eigenlijk... :-D
ik wist niet dat je langs kwam..... :schater:
Citaat van: marvin op januari 24, 2010, 16:52:27
veel plezier daar, dat zal wel lukken met die mannen van de kust...
ik luister/kijk momenteel naar 'Cirque Du Soleil - Midnight Sun'.
wel geinig die circus-artiesten.... :-D
http://www.blu-rayspecialist.nl/cirque-du-soleil-midnight-sun.html
Citaat van: marvin op januari 24, 2010, 20:34:58
Modern Warfare2.... byebye :-D
Citaat van: Dennis E36 op januari 24, 2010, 20:45:11
(http://image.lyricspond.com/image/p/artist-phil-collins/album-but-seriously/cd-cover.jpg)
Citaat van: WimPeu op januari 24, 2010, 20:53:57Misschien wel als zanger, maar als drummer vond (helaas moet ik vond zeggen) ik hem bij Brand X op z'n best.
Phill's beste..
Citaat van: WimPeu op januari 24, 2010, 20:44:44
Klinkt niet echt als een gezelschaps spelletje... :-D
Citaat van: Mexicaanse Hond op januari 24, 2010, 20:56:15
Misschien wel als zanger, maar als drummer vond (helaas moet ik vond zeggen) ik hem bij Brand X op z'n best.
Citaat van: marvin op januari 24, 2010, 20:58:16
nou het kan toevallig wel met 16 man tegelijk.... :-D
Citaat van: WimPeu op januari 24, 2010, 21:09:16
Dat is waar, maar ik doelde meer op de composities hier. Erg mooi gedaan misschien commercieel maar is dat altijd erg...
Citaat van: Musicman op januari 31, 2010, 12:30:14
Boeyen, Vrienten, Hofstede - cd "Aardige jongens".
Ayreon - "Dream Sequencer" en "Into the elctric Castle"
P.Barber - "Cafe Blue"
Citaat van: Musicman op januari 31, 2010, 14:30:48
Hoi Edwin.
Hahaha.........tuurlijk heb ik Barber.
Ik heb 3 SACD's van haar (van MFSL) te weten "Blue Cafe"-"Verse" en "Nightclub".
Ik had van de week je Topic beantwoord met de vraag"beste opnames op SACD.
KIjk daar maar naar, dan zie je mijn favorieten.
Gr, Pat
Citaat van: Musicman op januari 31, 2010, 14:30:48
Hoi Edwin
Ik had van de week je Topic beantwoord met de vraag"beste opnames op SACD.
KIjk daar maar naar, dan zie je mijn favorieten.
Gr, Pat
Citaat van: HiFi gek op januari 31, 2010, 14:57:17
Dan mis je nog de sacd's MODERN COOL en COMPANION .
Alle bij ook van Mobile Fidelity .
Groeten EDWIN B
Citaat van: Canule op januari 31, 2010, 18:36:54
Decibel Point - Earquake MASSIVE Dark Hard Drum N Bass Mix 2008, wat verdomt goed klinkt als een 256bit mp3 zijne.
NZB! (http://www.binsearch.net/?q=Decibel+Point+-+Earquake+MASSIVE+Dark+Hard+Drum+N+Bass+Mix+2008&max=25&adv_age=365&server=)
Citaat van: marvin op februari 01, 2010, 23:41:46
en dan zeggen ze weleens dat ik klere herrie luister.... :-o
vanaf minuut 50 vind ik het wel aardig, maar nog steeds niet mijn stijl... :-D
Citaat van: MadVillain op februari 01, 2010, 23:50:32
Check dit maar eens dan ;)
http://www.youtube.com/watch?v=2Diyn7Tpcr4
Lekkere herrie!
Citaat van: MadVillain op februari 02, 2010, 10:25:15Kijk uit wat je zegt, jochie. Ik had je vader kunnen zijn. :wink:
generatiekloof? :evil:
Citaat van: marvin op februari 02, 2010, 13:39:05Goed spellen zit zeker niet in haar eisenpakket? :angel:
inderdaad, maar het is nu eenmaal zo dat zijn moeder hogere eisen aan een man steld..... :-D
Citaat van: Mexicaanse Hond op februari 02, 2010, 13:30:09
Kijk uit wat je zegt, jochie. Ik had je vader kunnen zijn. :wink:
Citaat van: MadVillain op februari 02, 2010, 21:49:33
Sorry pap! Maar die muziek dreunt zo lekker :) Het klinkt alleen totaal niet op m'n set.
Citaat van: WimPeu op februari 06, 2010, 10:51:55Volbeat = wel vet.
Straks dat stelletje malloten uit Denemarken... HB
Volbeat - 2005 - The Strength - the Sound - the Song
(http://1.bp.blogspot.com/_-FZT6AWgB1k/SY75ug6K8pI/AAAAAAAAAEU/jnSTbMt2zyg/s320/Volbeat+-+The+Strength,+The+Sound,+The+Songs+a.jpg)
Citaat van: WimPeu op februari 06, 2010, 10:27:29Je kunt niet vroeg genoeg beginnen met bassen. HB
The Flaming Lips - Dark Side Of The Moon. Geweldige interpretatie van deze PF klassieker. Met Henry Rollins op veel tracks als gast.
Uiteraard niet audiofiel.... :-D maar wel erg leuk!
(http://alternative.blog.nl/files/2009/12/Dark-Side-Of-The-Moon-300x300.jpg)
Citaat van: Mexicaanse Hond op februari 06, 2010, 11:02:23
Je kunt niet vroeg genoeg beginnen met bassen. HB
Citaat van: marvin op februari 03, 2010, 22:10:51
heb het geluid weleens beter gehoord van Amstel-live, mijn broer is er geweest en ook daar was het belabberd.
maar het is altijd een leuk feestje....
nu zit ik naar Jiskefet te kijken, top aflevering!! :-D
Citaat van: Canule op februari 06, 2010, 13:41:26
Ik luister nu naar de wasmachine in de anti kreuk stand
Check in de box, Stift!.
Ik heb net alle DVD's binnen van ze. (usenet) ze blijven goed gjhe, gjhe gjhe :lol:
Citaat van: Marantz 81 op februari 12, 2010, 20:47:36
lekkere nummers op Veronica , met een biertje erbij achter de computer :-D
Citaat van: MadVillain op februari 12, 2010, 23:34:45
Misschien de Blu-ray versie eens kijken
Citaat van: mars op februari 16, 2010, 01:58:46
oi
Nu heb ik aphex twin opstaan
Citaat van: Mexicaanse Hond op februari 19, 2010, 10:51:27
Darkness out of blue - Silje Nergaard.
Ik zag haar voor het eerst op de WDR en ik vond het geweldig. Op North Sea heb ik haar live gezien en weer vond ik het top. Waard om uit te tsjekken. :yes:
Citaat van: WimPeu op februari 19, 2010, 10:59:05Snel van het net geplukt, zeker? :-D
Luister er nu ook naar... :-D
Citaat van: WimPeu op februari 19, 2010, 11:03:03Nee, alleen op televisie en radio dingen van haar gehoord. Mag ik de elpee van je lenen? Ik heb een heel goede naald, hoor. :-D
Moest het toch tsjekken? :-D
Ben er nog niet kapot van... OK dat is een snel oordeel natuurlijk maar is toch weer een Krall &co. ding.
Heb je |Wende Snijders wel eens beluisterd? Dat is een stuk avontuurlijker.
Citaat van: marvin op februari 19, 2010, 20:25:08Lekker hoor.
Red Hot Chili Peppers - Californication.
Citaat van: Totofan op februari 19, 2010, 21:09:40
Ik luister nu naar Judas Priest - British Steel HB HB HB
Helaas met kop telefoon omdat de dames hier X factor moeten zien HLP shutup
Groet Marcel
Citaat van: MadVillain op februari 21, 2010, 16:46:44
Wizards of ooze - Bambee!
Rock/Jazz/Funk gemixt tot 1 lekker geheel :)
http://nl.wikipedia.org/wiki/Wizards_of_Ooze
http://3voor12.vpro.nl/artiesten/artiest//2618231
Jammer dat ze ermee gestopt zijn :(
Citaat van: WimPeu op februari 24, 2010, 22:45:53Heb jij een platenspeler dan?
Van Joe Jackson draai ik tegenwoordig vaak zijn BBC live plaat...cool.
Citaat van: mahansz op februari 24, 2010, 22:49:02Koptelefoon?
jay-z via miezerige laptopspeakers...... het blijft behelpen zonder audio :|
Citaat van: Mexicaanse Hond op februari 24, 2010, 22:46:46
Heb jij een platenspeler dan?
Citaat van: WimPeu op februari 24, 2010, 22:50:37
Heb ik ook, 2 zelfs...
Maar nu ga ik off line en lekker luisteren naar de nieuwe Flac van Peter Gabriel - Scratch My Back
Citaat van: Mexicaanse Hond op februari 24, 2010, 22:49:56
Koptelefoon?
Citaat van: Mexicaanse Hond op februari 24, 2010, 22:42:43Moet je toch echt eens naar Muddy Waters gaan luisteren. Deze SACD helemaal, goede opname. In één keer op de band gezet, alles staat erop, zo hoort het. Als je vroeger, 70er jaren, van popmuziek hield wil je graag weten waar deze muziek wegkomt. Kom je vanzelf bij blues en jazz muziek uit van de 40, 50 en 60er jaren uit.
Kijk, daar kan ik nu enthousiast van worden. Keith Jarret die lekker meekreunt als 'ie piano speelt, Joe Jackson met zijn simpele maar oh zo mooie muziek, Muddy Waters ken ik niet buiten Manish boy en die nummer drie (her)ken ik helemaal niet. Oh ja, Eldorado van ELO.
Citaat van: renes59 op februari 24, 2010, 23:01:14
.
Heb hier al een keer wat negatiefs gezegd over de jazzdames, luister hier naar en je weet waarom. Hier zit echte beleving in.
Citaat van: jowa op februari 25, 2010, 21:07:52Ja, klinkt het veel beter dan je ST-17?
Kink-FM via m'n nieuwe tuner HB HB HB
Wow wat een geluid hello hello
Citaat van: WimPeu op februari 26, 2010, 16:45:34Been there, done that. Die van mij is 13.
Toy Story 1...
Citaat van: marvin op februari 26, 2010, 16:57:21
Brennan Heart - Live@Qlimax 2009 CD.
Van Halen is a Rockstar .... :evil:
Citaat van: marvin op februari 26, 2010, 17:17:12Gewoon wat vaker luisteren, heeft bij mij ook een tijdje geduurd voor ik het kon waarderen ;)
wat de boer niet kent,.... :lol:
net had ik Dreamtheater op staan, niet mijn muziek maar heb wel m'n best gedaan de hele cd te beluisteren. clown1
Systematic Chaos...
Citaat van: Maurice op februari 26, 2010, 22:09:03Blijken de nummers van de cd A Certain Trigger op te staan, die ik al had. Erg lekkere muziek :yes:
Nu: Maximo Park - Found on Film (dvd dus)
Citaat van: lo op februari 26, 2010, 21:21:20
X-factor.
Ben ik helemaal weg van :yes:
( :schater:)
groet,
lo
kan ik ook niet een lekker cd'tje luisteren op de dp600
Citaat van: Musicman op februari 27, 2010, 00:22:19
Dus dat verkies je boven cd's draaien op die 2 mooie spelers? stupid :schater:
Citaat van: lo op februari 27, 2010, 10:47:10
Ik weet niet hoe of het bij jullie is. Ik ben wel lid van het bestuur zeg maar, maar nog geen directeur die een veto kan stellen :-D
Nee hoor, mijn vrouw heeft al een heleboel muziek voor haar kiezen gehad inmiddels dat ook zij wel eens naar haar favoriete program mag kijken. Moet kunnen toch :yes:
groet,
lo
Citaat van: Musicman op februari 27, 2010, 12:33:59
Hahaha........tuurlijk Lo!!
Effe de oren rust gunnen en weer van je mooie beeld genieten :-D
Zo hou je je vrouw ook te vriend......(wat is dit nu weer voor een gekke zinspeling :?) :wink:
Maar je begrijpt me wel.
Gr, pat
Citaat van: cheese op februari 28, 2010, 12:23:06Dat is een hele mooie cd.
ik heb lekker Ayo met Joyful op staan.......net nieuw gekocht.....jeetje wat een heerlijke cd.....
gr kees
Citaat van: Totofan op maart 03, 2010, 18:09:54
Ik luister nu Joe Satriani - Crystal Planet HB HB HB HB :evil:
Groet Marcel
Citaat van: Musicman op maart 03, 2010, 18:12:16
Geniet ervan............het is een heerlijke cd!!
Citaat van: WimPeu op maart 03, 2010, 18:15:41
Da's waar, maar dit is de beste Satriani imho...
(http://2.bp.blogspot.com/_ou3Wazonqgs/RoiGfL6fuPI/AAAAAAAAAGU/qfTYxxjgUUE/s320/Super_Colossal.jpg)
Citaat van: Musicman op maart 03, 2010, 18:17:58
Die is ook zeker dik in orde!!
(net zoals zoveel albums van hem... :wink:)
Gr, Pat
Citaat van: Musicman op maart 03, 2010, 18:17:58
Gr, Pat
PS: hoe is het, Wim?
Citaat van: WimPeu op maart 03, 2010, 18:55:46`t zit je de laatste week niet echt mee Wim :|.
Gaat wel weer hoor. T 'is allemaal wel even wennen maar "life goes on".
Gistermiddag alweer bij de veearts geweest. Nu met de andere hond. Die had op een stok liggen kauwen en een stuk stok vast in z'n keel gekregen. nopompom Ik dacht wat doet die hond raar. Hij maakte van die bijna stik geluiden. Hond meteen in de auto en naar de veearts. Daar hebben we onder narcose het stukje hout er weer uit gehaald. ik zei al tegen de veearts, het zal je toch niet gebeuren heh, alle 2 de honden dood in 2 dagen. Gelukkig is alles nou weer goed...
foto voor de beeldvorming.. :-D
(http://www.mijnalbum.nl/GroteFoto-6C3WUDJQ.jpg)
Citaat van: WimPeu op maart 03, 2010, 18:55:46Konijn op 1 uur? :wink:
foto voor de beeldvorming.. :-D
(http://www.mijnalbum.nl/GroteFoto-6C3WUDJQ.jpg)
Citaat van: WimPeu op maart 03, 2010, 18:55:46
Gaat wel weer hoor. T 'is allemaal wel even wennen maar "life goes on".
Gistermiddag alweer bij de veearts geweest. Nu met de andere hond. Die had op een stok liggen kauwen en een stuk stok vast in z'n keel gekregen. nopompom Ik dacht wat doet die hond raar. Hij maakte van die bijna stik geluiden. Hond meteen in de auto en naar de veearts. Daar hebben we onder narcose het stukje hout er weer uit gehaald. ik zei al tegen de veearts, het zal je toch niet gebeuren heh, alle 2 de honden dood in 2 dagen. Gelukkig is alles nou weer goed...
foto voor de beeldvorming.. :-D
(http://www.mijnalbum.nl/GroteFoto-6C3WUDJQ.jpg)
Citaat van: xander32 op maart 03, 2010, 19:17:56
`t zit je de laatste week niet echt mee Wim :|.
Wel goed om te lezen dat dit "akkefietje" weer is opgelost :yes:.
Sander.
Citaat van: lo op maart 04, 2010, 20:10:17
Net effe youtube van die mannen gezien. Spijker jekkie past jou ook wel denk ik :-D
Geniet ervan maar denk om de oortjes hè HB
groet,
lo
Citaat van: MadVillain op maart 03, 2010, 23:28:43
Nils Petter Molvær - Solid Ether
Citaat van: renes59 op maart 05, 2010, 11:14:01
Cash, dat is een hele mooie.
Hier nu deze, vooral Betonpoalties, ik ken ze.
(http://i50.tinypic.com/97txdj.jpg)
Citaat van: WimPeu op maart 06, 2010, 12:23:05De afbeelding is prima, maar ik mis nog wat micro-informatie. :wink:
De mooie hoes maakt hem iig al begeerlijk!! :kwijl: :-D
Citaat van: Mexicaanse Hond op maart 06, 2010, 12:34:40
De afbeelding is prima, maar ik mis nog wat micro-informatie. :wink:
Citaat van: marvin op maart 09, 2010, 20:14:19
Susan Smit achtige dames?
Citaat van: johanmaserati op maart 09, 2010, 20:15:40
hahaha, foto's maken is niet gelukt, niet dat ik dat van plan was. Ik werd helaas wel gestoord door eddy (ook een forummember hier) die even moest melden dat ie zn UD8004 firmware aan het upgraden was. violent1 :-D
Citaat van: WimPeu op maart 09, 2010, 21:00:22
(http://farm4.static.flickr.com/3192/3082473528_f5df3a50f2.jpg)
Citaat van: eddy op maart 09, 2010, 21:29:49
Je hebt me op een ideetje gebracht ben hem nu aan het ophalen.
Citaat van: johanmaserati op maart 09, 2010, 22:32:21
Inderdaad, vieze mannetjes... :no:
Citaat van: WimPeu op maart 09, 2010, 22:33:45
Ik ben een Saw fan vanaf deel I. Heb nu net deel VI gezien en moet zeggen binnen een paar minuten ben ik weer helemaal in de film gezogen. kan niet wachten op deel VII die in 3D schijnt uit te komen.
Citaat van: joep op maart 09, 2010, 22:50:52
Mijn zoon is er ook helemaal gek op. (sick).
Citaat van: Mexicaanse Hond op maart 15, 2010, 10:20:37
Ik hoor het al, jij zorgt goed voor je vrouw. :-D
Citaat van: MadVillain op maart 12, 2010, 22:31:51Juist!
Aphex Twin - Drukqs na een lange tijd weer uit de kast getrokken :D notworthy
Citaat van: Canule op maart 15, 2010, 18:14:53
Juist!
Ed Rush - City 17 , lekkere achtergrond muziek
Mag hier niet te vinden zijn
https://www.binsearch.info/?q=BioW%40re+post+Ed_Rush&max=250&adv_age=365&server= (https://www.binsearch.info/?q=BioW%40re+post+Ed_Rush&max=250&adv_age=365&server=)
Citaat van: Mexicaanse Hond op maart 15, 2010, 10:20:37
Ik hoor het al, jij zorgt goed voor je vrouw. :-D
Citaat van: MadVillain op maart 15, 2010, 23:19:57Ja, en dat is inderdaad weer een lekker setje die ik nu is even stevig aan mag zetten.
Ed Rush? Van Ed Rush & Optical? (wormhole ed?)
......
Dan zal je LTJ Bukem ook wel kennen, zijn nieuwe mixcd op Fabric is echt aan te raden
..........
Citaat van: WimPeu op maart 28, 2010, 00:37:14
Draai verdorie de hele dag al deze Scorpions CD. Combinatie van jeugdsentiment (Band, niet album natuurlijk is van 2007), goed album en lekkere sound. Wat wil een mens nog meer. HB
Citaat van: renes59 op maart 28, 2010, 11:02:28
Nu deze op de draaitafe'l,
(http://i33.tinypic.com/2445jyv.jpg)
Citaat van: jowa op maart 29, 2010, 19:12:46Klinkt best lekker :yes:
Sinds gisteren uit, de laatste van Melissa Auf Der Maur -Out Of Our Minds. pompom
Heeft behoorlijk lang geduurt voordat deze uit kwam.
Is voor korte tijd te beluisteren via S33cret OOOM (http://xmadmx.com/s33cret-ooom/?utm_source=MAdM&utm_medium=email&utm_content=home&utm_campaign=seecretooom)
Met plug-in in Firefox(Netvideohunter) dan ook nog te downloaden :-D en dat mag nog steeds in NL :lol:
Geniet ervan zolang het kan. Lekkere rockmuziek.HB
(http://farm5.static.flickr.com/4044/4176923640_1721bf848d_b.jpg)
CiteerReview by Michael G. Nastos
The follow-up album to Outward Bound, Eric Dolphy's second effort for the Prestige/New Jazz label (and later remastered by Rudy Van Gelder) was equally praised and vilified for many reasons. At a time when the "anti-jazz" tag was being tossed around, Dolphy's nonlinear, harshly harmonic music gave some critics grist for the grinding mill. A second or third listen to Dolphy's music reveals an unrepentant shadowy side, but also depth and purpose that were unprecedented and remain singularly unique. The usage of bassist George Duvivier and cellist Ron Carter (an idea borrowed from Dolphy's days with Chico Hamilton) gives the music its overcast color base, in many ways equally stunning and uninviting. Dolphy's ideas must be fully embraced, taken to heart, and accepted before listening. The music reveals the depth of his thought processes while also expressing his bare-bones sensitive and kind nature. The bluesy "Serene," led by Carter alongside Dolphy's bass clarinet, and the wondrous ballad "Sketch of Melba" provide the sweetest moments, the latter tune identified by the fluttery introspective flute of the leader, clearly indicating where latter-period musicians like James Newton initially heard what would form their concept. Three pieces owe alms to Charles Mingus: his dark, moody, doleful, melodic, and reluctant composition "Eclipse"; the co-written (with Dolphy) craggy and scattered title track featuring Dolphy's emblematic alto held together by the unflappable swing of drummer Roy Haynes; and "The Baron," the leader's dark and dirty, wise and willful tribute to his former boss, accented by a choppy and chatty solo from Carter. "17 West," almost a post-bop standard, is briefly tonal with a patented flute solo and questioning cello inserts, while the unexpected closer written by Hale Smith, "Feathers," is a haunting, soulful ballad of regret where Dolphy's alto is more immediately heard in the foreground. A somber and unusual album by the standards of any style of music, Out There explores Dolphy's vision in approaching the concept of tonality in a way few others -- before, concurrent, or after -- have ever envisioned.
CiteerReview by Thom Jurek
Recorded in 1958, this legendary date with the still-undersung Sonny Clark in the leader's chair also featured a young Jackie McLean on alto (playing with a smoother tone than he had before or ever did again), trumpeter Art Farmer, and the legendary rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, both from the Miles Davis band. The set begins with one of the preeminent "swinging medium blues" pieces in jazz history: the title track with its leveraged fours and eights shoved smoothly up against the walking bass of Chambers and the backbeat shuffle of Jones. Clark's solo, with its grouped fifths and sevenths, is a wonder of both understatement and groove, while Chambers' arco solo turns the blues in on itself. While there isn't a weak note on this record, there are some other tracks that stand out, most notably Miles' "Sippin' at Bells," with its loping Latin rhythm. When McLean takes his solo against a handful of Clark's shaded minor chords, he sounds as if he may blow it — he comes out a little quick — but he recovers nicely and reaches for a handful of Broadway show tunes to counter the minor mood of the piece. He shifts to both Ben Webster and Lester Young before moving through Bird, and finally to McLean himself, riding the margin of the changes to slip just outside enough to add some depth in the middle register. The LP closes with Henderson and Vallée's "Deep Night," the only number in the batch not rooted in the blues. It's a classic hard bop jamming tune and features wonderful solos by Farmer, who plays weird flatted notes all over the horn against the changes, and McLean, who thinks he's playing a kind of snake charmer blues in swing tune. This set deserves its reputation for its soul appeal alone. [The CD version includes two bonus tracks: "Royal Flush" and "Lover"].
Citaat van: renes59 op april 03, 2010, 23:40:06notworthy
Kende Cool Struttin' niet, even opgezocht bij muziekweb. Mooie muziek, gelijk besteld.
Citaat van: Maurice op april 06, 2010, 12:38:38Dit is voor mij de belangrijkste reden om lid te worden van een forum, nieuwe muziek ontdekken. Daarnaast natuurlijk praten over audio en het er soms niet mee eens zijn. :wink:
notworthy
Citaat van: Mexicaanse Hond op april 06, 2010, 14:06:54
Koekje erbij? :wink:
Citaat van: mahansz op april 07, 2010, 17:40:21
net Vivaldi - four seasons en nu Faithless op orkaankracht! Meer divers kan niet :lol: :lol:
Citaat van: mahansz op april 07, 2010, 18:42:12
en nu weer Linkin Park & Jay-Z... byebye
Citaat van: Maurice op april 07, 2010, 22:06:59
Vandaag al veel muziek voorbij horen komen, heb dan ook bijna 5,5 uur in de auto gezeten.
Voorbij gekomen:
- Dreamtheater - systematic chaos
- Anathema - titel kan ik ff niet op komen...
- nog iets, weet niet meer wat...
- veel tuner
- bellen met de gsm
Nu een jazz cd die ik gedownload heb, maar geen gegevens van heb... Kan ik dus ook de cd niet kopen... frusty
Citaat van: lo op april 07, 2010, 22:20:08Helaas wel een slecht geluid in deze auto (citroen c5), maar de volgende wordt als het goed is wel beter. Dan zit er ook een 30gb hd in, dus hoef ik al die cd's niet meer in de auto te leggen, mijn hoesjes sneuvelen altijd in de auto.
Gezellig hè, auto rijden. Goed dat er muziek is pompom pompom om de zaak te verlichten :yes:
groet,
lo
Citaat van: renes59 op april 07, 2010, 22:49:26
Jeugdsentiment in de cd speler.
(http://i45.tinypic.com/au8f0g.jpg)
Citaat van: lo op april 07, 2010, 23:09:08Was toen wel een sensatie. 8-)
Had toch wel wat die blondie vroeger :-D
Hele volksstammen zaten aan de buis gekluisterd als ze weer bij Ad Visser te zien was.
groet,
lo
Citaat van: Mexicaanse Hond op april 08, 2010, 10:56:25
Hotel California - The Eagles
Citaat van: lo op april 08, 2010, 12:58:30
Enya.
A day without rain.
groet,
lo
Citaat van: renes59 op april 08, 2010, 19:32:55
Zoals een live LP moet zijn, alsof je in de zaal zit. Niks glad gestreken.
(http://i42.tinypic.com/212wn48.jpg)
Citaat van: Mexicaanse Hond op april 10, 2010, 15:06:23
Ik zou gewoon lekker gaan meetrommelen, lo. :wink:
Ik heb April van Blof op staan.
Citaat van: marvin op april 10, 2010, 17:51:22
Blijft pijnlijk hoor, die strafschoppen van 1998..
Wel geinig, toen zat ik nog bij de Marine en hebben we telkens vlak onder de kust gevaren zodat we het WK konden zien.... :-D
Citaat van: marvin op april 10, 2010, 17:51:22
Blijft pijnlijk hoor, die strafschoppen van 1998..
Wel geinig, toen zat ik nog bij de Marine en hebben we telkens vlak onder de kust gevaren zodat we het WK konden zien.... :-D
Citaat van: renes59 op april 12, 2010, 14:54:31
Een klassieker.
(http://i43.tinypic.com/zj8m6o.jpg)
Citaat van: renes59 op april 12, 2010, 14:54:31
Een klassieker.
(http://i43.tinypic.com/zj8m6o.jpg)
Citaat van: renes59 op april 12, 2010, 18:34:17
Ik zat voor de 2e keer in de examenklas van de Mavo 4 toen deze uitkwam. De leraar natuurkunde legde uit dat deze LP goed klonk en dat er aandacht was geschonken aan het stemmen van de instrumenten.
De oudere jeugd vond het maar niks, die had liever de oude FM van de blues. Moet nu zeggen dat ze toen geen ongelijk hadden, ben er na jaren achter gekomen.
Al is dit natuurlijk een wereldplaat.
Citaat van: WimPeu op april 12, 2010, 18:38:59
Geremastered klinkt ie stukken beter nog. Heb beide versies LP en 2 keer op CD.
Citaat van: WimPeu op april 12, 2010, 18:41:52
Ik hengel nu Muse HAARP DVD9 binnen. Gisteren bij Theo gezien. Spetterend, dus vanaaf in mijn HT...vrouwtje is op vergadering, kids op bed en.........papa......... HB :-D
Citaat van: WimPeu op april 12, 2010, 18:51:38
Ik heb de kinder kamers zo gesitueerd dat ik wel op -10Db (en harder) kan draaien en nog worden ze er niet wakker van... :-D
Citaat van: Mexicaanse Hond op april 12, 2010, 18:55:34
Ze slapen in het schuurtje? :-D
Citaat van: lo op april 12, 2010, 18:56:53
Ernstige afwijking heb je :schater: :schater:
Waar slapen ze bij jou :angel:
groet,
lo
Citaat van: lo op april 12, 2010, 18:47:08De disco waar ik destijds kwam, Arizona te Nieuw-Amsterdam, draaide dit ook wel maar ook heel veel Rolling Stones, Status Quo etc, het steviger werk. De "echte" disco stond in Emmen, Bon Vivant, daar werd de echte dico gedraaid. The Trammps was daar de hit, Disco Inferno. Gingen we 1 x per jaar naar toe. De manlijke bezoekers daar liepen rond in een grijze terlenka broek, een wit overhemd ( knopjes los tot de navel) en een zwarte colbert. De kraag van het overhemd moets over die van de colbert.
Meerdere van Fleetwoodmac destijds. In de disco waar ik kwam zaten ze er steevast tussen. Genieten was dat altijd :-D. Waar blijft de tijd, we worden echt ouder :angel:
groet,
lo
Citaat van: WimPeu op april 12, 2010, 19:11:25
Op het dak dus...
Citaat van: renes59 op april 12, 2010, 20:04:13
De disco waar ik destijds kwam, Arizona te Nieuw-Amsterdam, draaide dit ook wel maar ook heel veel Rolling Stones, Status Quo etc, het steviger werk. De "echte" disco stond in Emmen, Bon Vivant, daar werd de echte dico gedraaid. The Trammps was daar de hit, Disco Inferno. Gingen we 1 x per jaar naar toe. De manlijke bezoekers daar liepen rond in een grijze terlenka broek, een wit overhemd ( knopjes los tot de navel) en een zwarte colbert. De kraag van het overhemd moets over die van de colbert.
Wij waren daar in spijkerpak en legerjas. Men was geschokt van ons en wij van hun. Best wel grappig om dan whiskey te drinken "on the rocks" en het glas een beetje rond te draaien zodat de "the rocks" geluid maakten.
De vrouwlijke bezoekers vonden dat ook wel interessant, wat weleens onenigheid gaf met de mannen in terlenka broeken. Mooie tijd.
Citaat van: WimPeu op april 12, 2010, 21:13:22
Was jij een hard-rocker Lo? :-o Nou ben ik geschokt! :-D
Citaat van: lo op april 12, 2010, 21:33:30
:-D
Volgens mij schrik jij niet zo snel
notworthy :schater: :schater:
groet,
lo
Citaat van: WimPeu op april 12, 2010, 21:54:03
Nee, maar nu wel. :-D
Citaat van: Mexicaanse Hond op april 13, 2010, 11:25:10Dat gaat heel goed samen. 8-)
Praten over hifi heeft vaak een hoog brommerpraatgehalte. :-D
Citaat van: Mexicaanse Hond op april 13, 2010, 11:38:56
Wisten jullie dat de ene elektriciteitskabel beter licht geeft dan een andere? :angel:
(http://dfwscooterist.com/Gallery/albums/album27/Einstein_Scooter.jpg)
Citaat van: WimPeu op april 17, 2010, 10:27:38
Voor de nieuwsgroep liefhebbers.
AVATAR_DVD_9_NEWTON_J4F_DREAMTEAM in de zoekmachine stoppen en je hebt Avatar in DVD 9 orginele kwaliteit. byebye
Kijk hem straks. Koop later de Blu-Ray 3D wel....
(http://insequential.files.wordpress.com/2009/12/avatar_poster_2.jpg)
Citaat van: Stadium III op april 17, 2010, 16:21:42Wat is dat nou: heb je er vandaag geen LOTR-marathon van gemaakt :-P.
Vanavond deel 2 op BD van LOTR
Citaat van: xander32 op april 17, 2010, 16:59:10
Wat is dat nou: heb je er vandaag geen LOTR-marathon van gemaakt :-P.
Sander.
Citaat van: Stadium III op april 17, 2010, 17:36:18Ik ga zeer zeker nog een x langs komen maar of ik dan 3 delen LOTR ga kijken :roll:.
Volgende keer als de serie's achterheen komen ben je welkom !
Citaat van: xander32 op april 17, 2010, 20:23:43
Ik ga zeer zeker nog een x langs komen maar of ik dan 3 delen LOTR ga kijken :roll:.
Van hare maje moet ik altijd voor het donker weer thuis zijn :yes:.
:-D Sander.
Citaat van: Mexicaanse Hond op april 18, 2010, 13:59:13(http://www.any-video-converter.com/ipod-video-converter/image/ipod-classic-model.jpg)
*Jaloers*, muziek in de tuin kunnen draaien zonder anderen te hinderen.
Citaat van: Stadium III op april 17, 2010, 21:13:55Tja, ik heb nou eenmaal `n " hellig wief " :-D.
En daar luister jij naar :-P
Citaat van: xander32 op april 18, 2010, 14:24:45
(http://www.any-video-converter.com/ipod-video-converter/image/ipod-classic-model.jpg)
:wink: Sander.
Citaat van: Mexicaanse Hond op april 18, 2010, 14:28:28Nou ja, jij maakt er draaien van, Wim heeft `t er ni over :wink:. Enne: in mijn oude en vertrouwde Classic zit idd. een harde schijf :yes:.
Je kunt toch geen muziek draaien op een MP3-speler? :-P Nou ja, alleen als ze een harde schijf hebben. :wink:
Citaat van: Mexicaanse Hond op april 18, 2010, 14:58:19
Is dat wel audiofiel verantwoord? :-D
Citaat van: Mexicaanse Hond op april 18, 2010, 13:59:13
*Jaloers*, muziek in de tuin kunnen draaien zonder anderen te hinderen.
Citaat van: jwx op april 19, 2010, 18:07:58Dit had ik nog niet eerder gezien, vind het wel heel speciaal. De man is duidelijk baas over zijn gitaar, mooi.
http://www.youtube.com/watch?v=xiyKoP6_U6Y&feature=watch_response
Citaat van: Marco op april 20, 2010, 01:33:01
http://www.youtube.com/watch?v=0VojWdX5xz8&feature=related
HB hello
CiteerReview by Scott Yanow(http://www.lpcd.de/2/B7100_01.jpg)
Of Woody Shaw's five Columbia albums (the four studio dates have been reissued on CD as a Mosaic box set), this LP is the one that sounds most like a blowing session. The trumpeter and his regular band of the period (with trombonist Steve Turre, pianist Mulgrew Miller, bassist Stafford James and drummer Tony Reedus) welcome guest altoist Gary Bartz to two of the six selections. In addition to selections by Shaw, Miller and Wayne Shorter, "What Is This Thing Called Love" and "The Greene Street Caper" (the latter an "original" closely based on "On Green Dolphin Street") are performed on this fairly straight-ahead and accessible yet adventurous date. Worth searching for.
CiteerReview by Thom Jurek
Throughout her career, Natalie Merchant has thrived on exceeding her own expectations — no matter where her Muses led or her critics forbade her to go. Her last album, 2003's The House Carpenter's Daughter, rooted in American and British Isles folk traditions, was a stepping stone toward Leave Your Sleep. Where the former's songs were made of originals and covers, the latter marries them in sung poetry and original music from various traditions.
Co-produced by Merchant and Andres Levin, the double-disc Leave Your Sleep contains 26 new songs recorded live in the studio. She used the poems, anonymous nursery rhymes, and lullabies of 19th and 20th century British and American writers as source material and set them to original music. Among the authors included are Ogden Nash, e.e. cummings, Robert Louis Stevenson, Christina Rossetti, Edward Lear, Gerard Manley Hopkins, Mervyn Peake, Eleanor Farjeon, Nathalia Crane, and Robert Graves. Poetry is but one part of the story, however. Merchant composed music from across the genre spectrum: New Orleans swing on "Bleezer's Ice Cream" (Jack Prelutsky) and Crane's "The Janitor's Boy" are performed by Merchant fronting the Wynton Marsalis Orchestra; the Yiddish folk music of "Dancing Bear" (Albert Bigelow Paine) pairs her with the Klezmatics; Peake's "It Makes a Change" is performed by Medeski, Martin & Wood with a horn section; "If No One Ever Marries Me" (Laurence Alan-Tameda) is Appalachian backporch music with hammered dulcimer, banjo, upright bass, and guitar. "The Blind Men and the Elephant" (John Godfrey Saxe) is cabaret jazz played by Hazmat Modine with the Fairfield Four and the Ditty Bops on backing vocals. Stevenson's "Land of Nod" is a gorgeous orchestral piece with a Celtic flavor. Speaking of Celtic, Rosetti's "Crying, My Little One" is performed by Lunasa backing Merchant. Through it all, of course, is that voice, Merchant's throaty trademark. It expresses itself emotionally, honestly, and precisely, without resorting to dramatic tropes to get meaning across. The album closes first with Hopkins' contemplative, melancholy "Spring and Fall: To a Young Child," with a symphony orchestrated by Merchant and Sean O'Loughlin, and finally with Lydia Huntley Sigourney's haunting "Indian Names" by a string quartet accompanied by Joseph Fire Crow on Native American flutes, drums, rattles, and narrative, with chanting by Jennifer Kreisberg. It sends the set off much where it begins, illustrating poetry's ability to provide its own musical instruction, comfort, poignancy, and sense of wonder to the experience of everyday living. Merchant succeeds in spades; the extensive research and discipline pay off handsomely. Leave Your Sleep is easily her most ambitious work, yet because of that welcoming voice, it provides familiarity enough to gather listeners inside this world of sound.
Citaat van: renes59 op april 23, 2010, 21:47:04Jep, ken haar van haar live cd "live in concert". Geweldige cd. Motherland vond ik weer wat minder.
Die dame maakt heel mooie muziek.
CiteerReview by Steve Huey
The companion piece to Conversations (recorded at the same mid-1963 sessions with producer Alan Douglas), Iron Man is every bit as essential and strikes a more consistent ambience than its widely varied twin. It also more clearly anticipates the detailed, abstract sound paintings of Dolphy's masterwork Out to Lunch, in large part because this time around the program is weighted toward Dolphy originals. "Iron Man," "Burning Spear," and the shorter "Mandrake" all have pretty outside themes, full of Dolphy's trademark wide interval leaps and playful sense of dissonance. Yet there's enough structure and swing to make their roots in hard bop perfectly clear, and once the front-line horns blast out the themes, the ensemble shifts into a more cerebral, exploratory mode. In the absence of a piano, Bobby Hutcherson's vibes are a crucial anchor, outlining dissonant harmonies that hang in the air almost spectrally behind the rest of the group. Most of the same musicians from Conversations appear here, including trumpeter Woody Shaw, flutist Prince Lasha, altoist Sonny Simmons, and soprano sax player Clifford Jordan. And once again, Dolphy duets with bassist Richard Davis, twice this time -- on bass clarinet for Ellington's "Come Sunday" and on flute for Jaki Byard's "Ode to C.P." Both are lovely, meditative pieces filled with conversational exchanges between the two players, illustrating what similar wavelengths they were on. Between Conversations and Iron Man, split up the way they are, one has to give a slight edge to the latter for its more cohesive presentation, yet these are classic sessions in any form and constitute some of the most brilliant work of the early-'60s avant-garde.
Citaat van: Maurice op april 23, 2010, 23:30:12Helemaal mee eens :yes: Hier blijf je naar luisteren zonder dat het vervelend wordt.
Jep, ken haar van haar live cd "live in concert". Geweldige cd. Motherland vond ik weer wat minder.
Dame heeft echt een geweldige stem, echte emotie zonder rare tremors en andere kunstmatige stemtrucs.
Citaat van: renes59 op april 24, 2010, 00:15:28Haar live uitvoering is beter, luister maar: http://www.youtube.com/watch?v=hluZW1KD98k
Helemaal mee eens :yes: Hier blijf je naar luisteren zonder dat het vervelend wordt.
Een voorbeeld.
http://www.youtube.com/watch?v=X3h4hJd1GRI
Een treurige tekst. Ik dacht geschreven voor haar opa toen haar oma kwam te overlijden. Dit is muziek zoals ik vind dat het moet zijn.
Citaat van: Stadium III op april 25, 2010, 07:06:53:schater: :schater: Kun jij dat ook; schijfjes verwisselen
Gister avond avatar bekeken geweldig op : DVD
Ik kreeg er geen HD geluid uit en 1080p 50 hz
Zaten de schijven verkeerd in de hoes :|
Dus jah nu nog een keer op BD kijken
Nu heb ik dat al een stukje gedaan is dat is helemaal geweldig zeer gave film !
Citaat van: Vlearmoes op april 25, 2010, 07:35:58
En ja een beeld om te zoenen :yes:
Citaat van: Mexicaanse Hond op april 28, 2010, 21:38:08
op voorbespeelde musicasette. HB hello pompom