Ik luister of kijk nu naar (oud en vertrouwd onderwerp)

Gestart door PM95, oktober 24, 2005, 02:23:28

Vorige topic - Volgende topic

0 leden en 6 gasten bekijken dit topic.

jowa

Sinds gisteren uit, de laatste van Melissa Auf Der Maur -Out Of Our Mindspompom
Heeft behoorlijk lang geduurt voordat deze uit kwam.
Is voor korte tijd te beluisteren via S33cret OOOM
Met plug-in in Firefox(Netvideohunter) dan ook nog te downloaden  :-D en dat mag nog steeds in NL  :lol:
Geniet ervan zolang het kan. Lekkere rockmuziek.HB


Maurice

Citaat van: jowa op maart 29, 2010, 19:12:46
Sinds gisteren uit, de laatste van Melissa Auf Der Maur -Out Of Our Mindspompom
Heeft behoorlijk lang geduurt voordat deze uit kwam.
Is voor korte tijd te beluisteren via S33cret OOOM
Met plug-in in Firefox(Netvideohunter) dan ook nog te downloaden  :-D en dat mag nog steeds in NL  :lol:
Geniet ervan zolang het kan. Lekkere rockmuziek.HB


Klinkt best lekker  :yes:
Zal er eens wat meer en langer naar luisteren, eens kijken of deze op mijn wishlist komt.
Rev. Maurice
Ordained Dudeist Priest at Dudeism, the Church of the Latter-Day Dude

Maurice

Dreamtheater - Uncovered 2008/2009
Bonus cd bij Black Clouds & Silver Linings, staat erg mooie muziek op, over het algemeen rustiger en "commerciëler" klinkend.
Rev. Maurice
Ordained Dudeist Priest at Dudeism, the Church of the Latter-Day Dude

MadVillain

Best of Massive Attack...en dan staat nu Teardrops op :D

WimPeu

Kamer : LG OLED65E7V - Meridian 218 * DSP 7200
HT : Anthem AVM60 * PVA7 - Denon DBT-3313UD - Usher CP6381BE * HT1 * V601 * S520 - Cabasse Io2 -  Rythmik F15HP-SE - Sony VPL-50ES

Maurice

Nu:

Eric Dolphy - Out There
Op vinyl, echt één van zijn mooiste albums (vind ik dan).
Geweldig hoe er soms zelfs met één instrument, bijv de contrabas, een heel melodieus geheel gemaakt kan worden.



CiteerReview   by Michael G. Nastos

The follow-up album to Outward Bound, Eric Dolphy's second effort for the Prestige/New Jazz label (and later remastered by Rudy Van Gelder) was equally praised and vilified for many reasons. At a time when the "anti-jazz" tag was being tossed around, Dolphy's nonlinear, harshly harmonic music gave some critics grist for the grinding mill. A second or third listen to Dolphy's music reveals an unrepentant shadowy side, but also depth and purpose that were unprecedented and remain singularly unique. The usage of bassist George Duvivier and cellist Ron Carter (an idea borrowed from Dolphy's days with Chico Hamilton) gives the music its overcast color base, in many ways equally stunning and uninviting. Dolphy's ideas must be fully embraced, taken to heart, and accepted before listening. The music reveals the depth of his thought processes while also expressing his bare-bones sensitive and kind nature. The bluesy "Serene," led by Carter alongside Dolphy's bass clarinet, and the wondrous ballad "Sketch of Melba" provide the sweetest moments, the latter tune identified by the fluttery introspective flute of the leader, clearly indicating where latter-period musicians like James Newton initially heard what would form their concept. Three pieces owe alms to Charles Mingus: his dark, moody, doleful, melodic, and reluctant composition "Eclipse"; the co-written (with Dolphy) craggy and scattered title track featuring Dolphy's emblematic alto held together by the unflappable swing of drummer Roy Haynes; and "The Baron," the leader's dark and dirty, wise and willful tribute to his former boss, accented by a choppy and chatty solo from Carter. "17 West," almost a post-bop standard, is briefly tonal with a patented flute solo and questioning cello inserts, while the unexpected closer written by Hale Smith, "Feathers," is a haunting, soulful ballad of regret where Dolphy's alto is more immediately heard in the foreground. A somber and unusual album by the standards of any style of music, Out There explores Dolphy's vision in approaching the concept of tonality in a way few others -- before, concurrent, or after -- have ever envisioned.
Rev. Maurice
Ordained Dudeist Priest at Dudeism, the Church of the Latter-Day Dude

renes59

Buizen vv en ev, Marantz SA7001, Marantz CD6000oseKI, Marantz CD60, Marantz ST6000, Thorens TD160 mkII met een Ortofon MC3Turbo, B&W CDM7NT, JMR Sonata, Mission M51.

renes59

Buizen vv en ev, Marantz SA7001, Marantz CD6000oseKI, Marantz CD60, Marantz ST6000, Thorens TD160 mkII met een Ortofon MC3Turbo, B&W CDM7NT, JMR Sonata, Mission M51.

Maurice

Nu Cool Struttin' van Sonny Clark, wederom LP...



CiteerReview   by Thom Jurek

Recorded in 1958, this legendary date with the still-undersung Sonny Clark in the leader's chair also featured a young Jackie McLean on alto (playing with a smoother tone than he had before or ever did again), trumpeter Art Farmer, and the legendary rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, both from the Miles Davis band. The set begins with one of the preeminent "swinging medium blues" pieces in jazz history: the title track with its leveraged fours and eights shoved smoothly up against the walking bass of Chambers and the backbeat shuffle of Jones. Clark's solo, with its grouped fifths and sevenths, is a wonder of both understatement and groove, while Chambers' arco solo turns the blues in on itself. While there isn't a weak note on this record, there are some other tracks that stand out, most notably Miles' "Sippin' at Bells," with its loping Latin rhythm. When McLean takes his solo against a handful of Clark's shaded minor chords, he sounds as if he may blow it — he comes out a little quick — but he recovers nicely and reaches for a handful of Broadway show tunes to counter the minor mood of the piece. He shifts to both Ben Webster and Lester Young before moving through Bird, and finally to McLean himself, riding the margin of the changes to slip just outside enough to add some depth in the middle register. The LP closes with Henderson and Vallée's "Deep Night," the only number in the batch not rooted in the blues. It's a classic hard bop jamming tune and features wonderful solos by Farmer, who plays weird flatted notes all over the horn against the changes, and McLean, who thinks he's playing a kind of snake charmer blues in swing tune. This set deserves its reputation for its soul appeal alone. [The CD version includes two bonus tracks: "Royal Flush" and "Lover"].
Rev. Maurice
Ordained Dudeist Priest at Dudeism, the Church of the Latter-Day Dude

renes59

Kende Cool Struttin' niet, even opgezocht bij muziekweb. Mooie muziek, gelijk besteld.
Buizen vv en ev, Marantz SA7001, Marantz CD6000oseKI, Marantz CD60, Marantz ST6000, Thorens TD160 mkII met een Ortofon MC3Turbo, B&W CDM7NT, JMR Sonata, Mission M51.

renes59

Buizen vv en ev, Marantz SA7001, Marantz CD6000oseKI, Marantz CD60, Marantz ST6000, Thorens TD160 mkII met een Ortofon MC3Turbo, B&W CDM7NT, JMR Sonata, Mission M51.

Eip

Ik kwam deze laatst tegen in de platenkoffer op zolder. Het is Ellen Foley  Nightout



Heb hem maar gelijk op cd gekocht. :yes:

 Gr Eip.
Elac BS 203.2
Marantz SR5023
Marantz CD6006
Panasonic DMP-BDT 167

Mexicaanse Hond


renes59

#1333
Dit is nu een jazzdame die het beluisteren waard is, goede muziek.
Buizen vv en ev, Marantz SA7001, Marantz CD6000oseKI, Marantz CD60, Marantz ST6000, Thorens TD160 mkII met een Ortofon MC3Turbo, B&W CDM7NT, JMR Sonata, Mission M51.

Mexicaanse Hond

Mijn moeder had in de jaren zestig al bandopnames van haar en die heeft smaak.  :yes: